"This new SACD by the Hymnus Choirboys of Stuttgart and Musica Fiata demonstrates how Schütz worked with opulent Italian impressions while serving as court chapel master in Dresden and employs the finest 2+2+2 technique to transport lavish sound and Venetian grandezza straight to you in your living room…" ~prestoclassical
"A landmark recording." ~Early Music Review / "If you have just come into the market for this musical subtlety, I urge you to go for Cordes." ~Fanfare
In spite of the decline of the Saxon Hofkapelle, Schütz produced more collections, with which his reputation reached its height in Germany and northern Europe: the collection of motets Geistliche Chormusik (Dresden, 1648) and the third volume of Symphoniae Sacrae (1650), again based on German texts and with which he intended to end his career as Kapellmeister. This was however not to be, and it was only under the young Elector Johann Georg II that Schütz was finally granted his wish to retire.
This particular St. Matt is constantly being reissued on one budget label or another, and for good reason: it happens to be superb. The Schutz SAINT MATTHEW PASSION is a fairly austere vocal work, light years distant from the familiar Bach version you may know and love. But it's the stark beauty of the Schutz vision that I admire and enjoy; it is reverential, as it should be, devotional, a tad bleak, yet utterly compelling. It tends to make one immediately introspective. Should you have any leanings at all towards experimenting with baroque vocal music, I would avidly suggest hearing Schutz; and the price of the CD precludes hesitation.By Melvyn M. Sobel "Melvyn M. Sobel" (Freeport, New York)
The box contains a perfect overview of VIVARTE’s legendary catalogue of ancient music ranging from Vivaldi to Brahms. Most of the recordings received critical acclaim all over the world, many of them won prestigious awards and many are reference recordings.
With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L oiseau lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) overwhelming in its impact and emotional content.
"Heinrich Albert was a German composer and poet of the 17th century. He was a member of the Königsberg Poetic Society (Königsberger Dichterkreis). As a song composer, he was strongly influenced by Heinrich Schütz. (…) The poets would convene at the Kürbishütte, an arbor in Albert's garden, where the Linde dyke flows into the river Pregel. The council of Kneiphof had given the garden as a present to the organist in 1630. In his garden, Albert grew pumpkins and gourds, and the friends would carve their bucolic noms de plume into the gourds…"