Shorty Long

VA - The Complete Motown Singles Collection, Vols 01-12B (75 CDs) *Re-Post*

VA - The Complete Motown Singles Collection, Vols 01-12B (75 CDs)
MP3 320 CBR - 12.6 GB | Very little artwork
R&B | 2005-2013 Motown | 5% recovery record | Source: internet

The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. The Complete Motown Singles might have seemed like a logical move to soul collectors and fanatics, but it remained in the realm of fantasy for many years because, as enticing as that set was, it was difficult to create.
Trombone Shorty - Parking Lot Symphony (2017) [Official Digital Download]

Trombone Shorty - Parking Lot Symphony (2017)
FLAC (tracks) 24-bit/48 kHz | Time - 42:48 minutes | 568 MB
Studio Master, Official Digital Download | Artwork: Front cover

Trombone Shortys' Blue Note-debut, Parking Lot Symphony, captures the spirit and the essence of The Big Easy, while redefining its sound. Blazing through 70s Funk, Rock, Hip-Hop and R&B, Parking Lot Symphony was produced by Chris Seefried (Andra Day, Fitz and The Tantrums) and features songs co-written by Aloe Blacc, and Alex Ebert (Edward Sharpe & The Magnetic Zeros).
Trombone Shorty - Parking Lot Symphony (2017) {Blue Note} [Proper]

Trombone Shorty - Parking Lot Symphony (2017) {Blue Note}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 600dpi | 402MB + 5% Recovery
Genre: Jazz, Funk

On his fourth studio effort and first for Blue Note Records, 2017's Parking Lot Symphony, New Orleans singer, songwriter, and brass wizard Troy Andrews (aka Trombone Shorty) fully embraces the organic '70s-style R&B he’s heretofore only touched on. Ever since officially debuting in 2010 with Backatown, Andrews has moved ever closer to that '70s soul aesthetic with each subsequent album. Backatown even featured contributions from both Lenny Kravitz and legendary New Orleans pianist Allen Toussaint. In fact, his previous effort, 2013's Say That to Say This, had a similarly old-school bent courtesy of neo-soul master and co-producer Raphael Saadiq. But for Parking Lot Symphony, Andrews dives into the sound full-force, paired with producer Chris Seefried (Fitz & the Tantrums, Haley Reinhart, Andra Day) on a set of songs that bring to mind the earthy, vinyl-laden vibe of '70s artists like New Orleans own the Meters..
Gerry Mulligan & His Ten-Tette - Shorty Rogers And His Giants - Modern Sounds (1951-1953) {EMI Music rel 2008}

Gerry Mulligan & His Ten-Tette - Shorty Rogers And His Giants - Modern Sounds (1951-1953) {EMI Music rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 201 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb | 5% repair rar
© 1951-53, 2008 Capitol Records / EMI Music | DRG-CD-8505
Jazz / Cool Jazz / West Coast Jazz / Saxophone / Trumpet

Mention the style “cool jazz” to a music fan and most likely their first thought will be of Chet Baker or Dave Brubeck. All well and good, but there was a cat who came before them who actually laid the groundwork for the style. That was Gerry Mulligan, the baritone saxophonist, arranger, and composer whose original piano-less quartet introduced Baker to the world, and who was also present at the early Miles Davis BIRTH OF THE COOL sessions.

V.A. - The Beat Of The Pops (34CDs, 2007)  Music

Posted by Discograf_man at Feb. 22, 2017
V.A. - The Beat Of The Pops (34CDs, 2007)

V.A. - The Beat Of The Pops (34CDs, 2007)
Beat, Pop, Rock & Roll, Doo Wop | MP3 CBR 320 kbps | 5,48 Gb
Label: Rato Records | Release Year: 2007

Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
VA - Classical Gassers (Pop Gems Inspired By The Great Composers) (2016)

VA - Classical Gassers (Pop Gems Inspired By The Great Composers)
Pop, Oldies | FLAC (tracks)+cue, front & back cover | 51:51 min | 316 MB
Label: Ace Records | Tracks: 24 | Rls.date: 2016

At first glance the worlds of classical music and pop might seem diametrically opposed – the former signifying straight-backed refinement and the latter youthful rambunctiousness – but as these two-dozen tracks attest, there are occasions when these unlikely bedfellows have resulted in a harmonious union.

Lord Finesse - Rare & Unreleased (2007) {Underboss Entertainment}  Music

Posted by shamanicus at Jan. 3, 2017
Lord Finesse - Rare & Unreleased (2007) {Underboss Entertainment}


Lord Finesse - Rare & Unreleased (2006)
EAC Rip | FLAC with CUE and log | covers | 566 mb
East Coast Hip-Hop, Rap | Label: Underboss Entertainment | UBE-1000

The Legendary M.C., Producer, and DJ, Lord Finesse, brings you his most sought after and hard to find productions and features. "Rare And Unreleased" is a must have for any Lord Finesse and true school enthusiast.

Trombone Shorty - Say That To Say This (2013) {Verve}  

Posted by ruskaval at Dec. 29, 2015
Trombone Shorty - Say That To Say This (2013) {Verve}

Trombone Shorty - Say That To Say This (2013) {Verve}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 251 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 2013 Verve / UMG | 0602537364923
Jazz / Funk / Groove / Jazz Funk / Neo Soul / R&B

Troy 'Trombone Shorty' Andrew's third recording for the historic Verve label finds him collaborating with famed producer Raphael Saadiq (D'Angelo, Mary J. Blige, John Legend). The album includes nine original tracks and a collaboration with the original line-up of the Meters (recording together for the first time since they broke up in 1977) and Cyril Neville. Other tracks are performed by Shorty's long time band, Orleans Avenue, and some tracks feature Saadiq. Andrews elaborates that the album is 'really funky, like James Brown funk mixed with a New Orleans sound, like the Meters, Neville Brothers, and then with what I do on the top of it.'

Guitar Shorty - Albums Collection 2001-2010 (4CD)  Music

Posted by Designol at Oct. 3, 2015
Guitar Shorty - Albums Collection 2001-2010 (4CD)

Guitar Shorty - Albums Collection 2001-2010 (4CD)
EAC | FLAC | Image (Cue&Log) ~ 1.6 Gb | Mp3 (CBR320) ~ 629 Mb | Scans included
Genre: Modern Electric Blues, West Coast Blues, Blues-Rock | Time: 03:20:12

When he's not turning somersaults, doing backward flips, and standing on his head – all while playing, of course – Guitar Shorty is prone to cutting loose with savagely slashing licks on his instrument. Live, he's simply amazing – and after some lean years, his latter-day albums for Black Top, Evidence, and Alligator have proven that all that energy translates vividly onto tape. Collection includes: I Go Wild! (2001); Watch Your Back (2004); We The People (2006); Bare Knuckle (2010).
Shorty Rogers - The Fourth Dimension In Sound (1961) {2014 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]

Shorty Rogers - The Fourth Dimension In Sound (1961) {2014 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 218 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (png) -> 132 Mb | 5% repair rar | 24-bit remaster
© 2014 WEA / Warner Japan | WPCR-27927 | Jazz Best Collection 1000 Series
Jazz / Cool / Trumpet

Features 24 bit remastering and comes with a mini-description. A really unique little chapter in the career of Shorty Rogers – and a near-lost record that's one of his best from the 60s! As you might guess from the title, the set was recorded as a sort of "stereo dynamics" album – post-bachelor pad, but in a mode that was very concerned with the overall sound qualities as much as the actual music. But the setting turned out to be a really great thing for Shorty, as it encouraged him to open up with his arrangements, and push the group into territory that you wouldn't hear on his 50s albums!