Despite his advanced age and the chaos surrounding him, Richard Strauss remained highly productive well into the 1940s. As the Second World War was coming to an end in 1944-45, the eighty-year-old composer was working on his Oboe Concerto and Sonatina No. 2 for winds, as well as the Metamorphosen for strings. While the latter work was an explicit response to the destruction Strauss was witnessing, in the Concerto and the Sonatina the composer seemed to be turning his mind away from the events surrounding him. There is a pastoral quality to the oboe concerto, with a highly tuneful solo part and more than occasional touches of nostalgia for the 18th century. Similarly, Strauss headed the score of the sonatina with a dedication ‘to the spirit of the immortal Mozart at the end of a life full of thankfulness’.
The world was hardly clamoring for another recording of Vivaldi's Four Seasons violin concertos, but the Australian Chamber Orchestra has evolved into one of the world's top concert attractions, and it's natural that their fans would want to hear them in this ubiquitous work. Violin soloist Richard Tognetti plays a 1743 Guarneri instrument with a powerfully flashy tone, and he gets a large variety of sounds from it. These are complemented by the inclusion in the booklet of the four sonnets included by Vivaldi in the score (and possibly written by the composer himself). This is always desirable, for the Four Seasons are programmatic in a way that's hard to pick up from the music alone, and the inclusion of the texts is remarkably rare…
Vocalion favourite Paul Mauriat makes a welcome return with a further two albums, Penelope (1972) and Holidays (1973), which presented quadraphonic remixes of 24 titles culled from his back catalogue. Originally produced for the Japanese 4DX series, this reissue makes them widely available for the first time.
Clarinetist David Orlowsky is widely recognized as a musician of tremendous expressiveness and depth, and is acknowledged worldwide as one of today's leading interpreters of the clarinet repertoire ranging from Mozart to Golijov to klezmer. An exclusive Sony recording artist, David has recorded eight discs which have received three ECHO Klassik awards and won him a large and devoted following. An avid chamber musician, David collaborated with celebrated performers such as Vilde Frang, Igor Levit, the Danish String Quartet, the Calder Quartet and the vocal sextet Singur Pur, with whom he won the 2011 ECHO Klassik award "Classical Music without Boundaries" for their album JEREMIAH…
"…Janowski's pacing and preparation of the orchestra is masterly. Reacting with sensitivity to the score, the tender & reflective scenes are given space to breathe without taxing the singers into strained tone. (…) The more one hears, the more one appreciates the vocal acting as well as the superlative orchestral contribution (make no mistake, there are at least 3 world class orchestras resident in Berlin today). This listener (at least) is eagerly awaiting the next installment of the Ring." ~sa-cd.net
Jack McDuff and Joey DeFrancesco personify the Jazz Organ Renaissance that is sweeping the world in this incredible recording for Concord. Organists have paired up before in recording studios but never in such a historical effort. Unlike Jack and Joey’s last double organ session which was live, this recording offered more artistic control. Concord wisely permitted Jack to put together the charts and gave Joey the bass duties to lessen the load. This album was recorded in New York City, NY, on December 11 & 12, 1995.
"This is the 6th instalment of PentaTone’s successful Wagner Edition. It is the first time in the recording history that a label records all major Wagner opera’s with the same orchestra, choir and conductor. This makes the PentaTone Wagner Edition a great collector’s item. All operas are recorded live in the Philharmonie in Berlin. The first five recordings were awarded with “Editor’s Choice” (Gramophone), Recording of the Month and Opera Choice of the Month (BBC Music Magazine), CD of the week (Sunday Times). Based on the reviews of the concert we expect high scores for the Tannhäuser recording as well." ~prestoclassical