Letting the good times roll again, with this second visit to the dynamic South Louisiana R&B scene there is no waver in the quality of music. We’ve added the work of another Louisiana record man, Sam Montel from Baton Rouge, to the vast stockpile of material in the vaults of J.D. Miller, Eddie Shuler, Floyd Soileau and Jake Graffagnino. Sam (originally Montalbano) got into the music business when his childhood friend Jimmy Clanton hit the charts. Sam became his road manager and the whole scene got into his blood. He decided to start his own record label when only 18 years old. His first release, Lester Robertson’s ‘My Girl Across Town’, is included here, as is a previously unissued outing from Robertson.
The forgotten sound of South Louisiana. Setting out on the “By The Bayou” journey, I didn’t envisage reaching CD 12. The project started as a vehicle for white Louisiana rockers, but exploration of the tape vaults of J.D. Miller and the catalogues of Eddie Shuler’s Goldband, Floyd Soileau’s Jin, Sam Montelbano’s Montel and Joe Ruffino’s Ric and Ron labels revealed more than enough great vocal group material to fill a dedicated CD. So here is a collection of chanting rockers and sweet harmonies, rather overlooked as ingredients which go into the rich gumbo of South Louisiana music of the 50s.
German harmonica master and singer Chris Kramer fulfilled a blues dream of his. A must have for all Blues lovers.
A spicy mix of rarities, alternates and previously unissued R&B goodies from South Louisiana and S.E. Texas, where you are never too far from a bayou and some good rockin’ music. This 15th compilation in the “By The Bayou” series takes us back to the R&B sounds you would have heard belting out of a Louisiana juke joint on a steamy night in the 1950s or early 1960s. All of the tracks included were recorded in that party state, although some of the artists were based in Texas, crossing the state line to make music in studios based in Crowley and Lake Charles.
Ten volumes into their seemingly never-ending, always-excellent By the Bayou series, Ace returns to R&B for Mad Dogs, Sweet Daddies & Pretty Babies. Like nearly all of its predecessors, this is primarily archival – i.e., there aren't a lot of familiar names, but there are acts that have popped up on previous Bayou installments because, at this point, it's been proven that the well is deep but not fathomless. Newly discovered cuts by unknowns can hardly be called "recycling," and this, like its cousins, is pretty close to straight-up aural dynamite.