The Complete English Columbia Recordings & Early German Parlophone Recordings. The first Heritage release to re-issue material from the Pearl catalogue. This 4 CD set brings together the complete English Columbia recordings and rare, early German Parlophone recordings of Emanuel Feuermann. Feuermann is the cellist’s cellist par excellence, and many would claim him as the greatest of the century. He did not however, in his lifetime, make the headway he deserved, partly because he died at such an early age and partly because he was forever overshadowed by the colossal figure of Pablo Caslas. This edition includes extensive biographical and discographical notes – an illuminating package which provides an invaluable overview of one of the most talented string players ever to have graced the stage.
Punch is the follow-up to British pianist Elliot Galvin's debut album Dreamland, released in 2014 and his first for Edition Records. The title track opens with an ancient recording of a Punch and Judy show which forms a recurring leitmotif within the number and at a few other points throughout the album. The ensuing trio's performance contains all the vituperative attack of Mr Punch, replete with fascinating staccato interludes of interspersed and alternating bouts of silence, the Punch recording and the trio.
A profoundly spiritual composer, Sofia Gubaidulina has said that ‘True art for me is always religious, it will always involve collaborating with God.’ As the present disc demonstrates, it is therefore less than fruitful to try to divide her music into sacred and secular compositions. Jauchzt vor Gott, the opening work, is here being released on disc for the first time. The nine-minute piece for choir and organ sets three verses from Psalm 66, and opens with a long cappella section on the word jauchzt, ‘rejoice’. At this point, the organ enters with an extensive solo involving a massive dynamic intensification, after which choir and organ continue together in music which makes the concept of contrast a determining element.
For over two years, organist Chris Hazelton and his soulful septet, the Boogaloo 7, have held down a wildly successful residency every Friday night at Kansas City's acclaimed Green Lady Lounge. Expanding on the funky sounds popularized by Jimmy McGriff, Charles Earland, Lou Donaldson, and others, this group brings a mixture of original tunes and covers, both old and new, that excite and move audiences week after week. With two in-demand 45rpm singles already under their belt, the logical next step was a full length album, and this one catches them in their element: live at the club they call home.
Reissue with SHM-CD format and new 24bit remastering. A beautiful document of some of the most laidback jazz ever recorded – the sublime 50s recordings of the Johnny Smith group, done at a time when the lineup included Stan Getz! The tunes on the set feature Johnny's mellow electric guitar setting the pace, alongside wonderfully-blown early solos from Stan, plus some other tenor work from Zoot Sims and Paul Quinichette, who also sit in the tenor chair on a few of these recordings. The tunes are mostly standards, but done in a great style that's not exactly cool jazz, but which has a groundbreakingly easy groove that's simply sublime!