The success of the hit single "Disconnected" on Los Angeles radio station KROQ catapulted Face to Face to a new level of popularity, causing their 1995 release, Big Choice, to sell more than 100,000 copies – a first for the southern California punk band. "Disconnected" had appeared on their previous album Over It, but the band redid it for Big Choice, making it a bit heavier and adding a somewhat humorous exchange with a "record producer" about whether to include the song on the album because they didn't want to be labeled sell-outs. The conversation ends with the band declaring "there's no way in hell this song is going on this record" and then launching right into "Disconnected."
The day may come when the well runs dry, but that day is not upon us. The fourth installment of Sonny Rollins' Road Shows series has arrived, bringing more beauties from the archives to light while bearing out that the genius of the Saxophone Colossus is best demonstrated on the stage. That's where the magic has always happened for him, and that's why these offerings have been so well-received. The first three volumes are already considered to be indispensable items in the storied Rollins canon, and this one stands to join them.
Originally released on Medium Productions (Karn's joint venture with ex-Japan colleagues Steve Jansen and Richard Barbieri), this uniquely adventurous and evocative selection of tracks written and arranged between 1995 and 1999 was finally released in 2001. Each Eye A Path reveals Karn at his most intimate and unfettered, Steve Jansen (who mixed the album) adds some typically tasteful drum and percussion parts.
At long last, the legendary unreleased Still Cool album! Producer Carl "Stereo" Fletcher had been planning this LP on his Uprising label since the late 1970's. In fact, it was nearly released in Nigeria (!!!), but due to a faulty tape machine on a trip to Lagos, it never happened. Finally released nearly 40 years later, here it is. Still Cool, like Stereo and his Uprising label, were part of the vibrant musical arm of the 12 Tribes of Israel Rastafarian group in the 1970's. Still Cool regularly performed on 12 Tribes stage shows, just check the photos in our LP & CD jackets. Four of the ten tracks on this album were released as singles back in the day, including one ("Sweeter Music") credited only to Still Cool vocalist Frankie Diamond.
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Two different sides of Verve Records in the 50s – one modern, one a bit more traditional – and both represented in live material from the Newport Jazz Festival in 1957! Side one features a stunning live performance from pianist Teddy Wilson – working in a tight trio with Milt Hinton on bass and Spec Powell on drums – and really blowing away any conceptions we might have had about Wilson being aging or flowery at the time. Instead, he's got a sharp edge and command of the keys that's amazing – and which almost seems to have a bit more bite than usual in this concert setting.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. One of the more freewheeling groups we've ever heard recording for the Timeless label – especially during the 80s stretch in which this set was recorded – a free-thinking quartet that features Urs Leimgruber on soprano, tenor, and bass saxophone – plus Don Friedman on piano, Bobby Burri on bass, and Joel Allouche on drums! Leimgruber's sound really sets the tone for the record – with moody passages some stretches, or a bolder attack at other moments – then supported strongly by Friedman's piano, really gets a lot of freedom here. All tracks are long, and very different than usual for Timeless.