Philip Kiameh

Philip Kiameh - Power Generation Handbook : Selection, Applications, Operation, Maintenance (Repost)

Philip Kiameh - Power Generation Handbook : Selection, Applications, Operation, Maintenance
McGraw-Hill Professional | 2002 | ISBN: 0071396047 | Pages: 560 | PDF | 6.37 MB
Barbara Palvin by Philip Gay for L'Express Styles June 2015

Barbara Palvin - Philip Gay Photoshoot 2015
10 jpg | up to 1500*1958 | 10.41 Mb
Hungarian model
Sara Sampaio and Tony Ward by Philip Gay for Numero Homme Germany June 2015

Sara Sampaio - Philip Gay Photoshoot 2015 for Numéro
6 jpg | up to 1100*1432 | 2.39 Mb
Portuguese model
Carly Moore by Philip Messmann for CR Fashion Book December 2014

Carly Moore - Philip Messmann Photoshoot 2014
10 jpg | up to 1634*2160 | 7.64 Mb
Canadian model

Loopmasters - Philip Bader Rough Tech House  Software

Posted by vivid23 at June 24, 2014
Loopmasters - Philip Bader Rough Tech House

Loopmasters - Philip Bader Rough Tech House | MULTiFORMAT | 865 MB

'Philip Bader: Rough Tech House' from the Loopmasters Artist Series is an inspiring collection of royalty-free sounds and loops aimed at Tech House producers worldwide. The pack features over 1 GB of production-ready loops and one-shot sounds loaded with all the character and groove you would expect to find in any of Philip's productions.

Philip-Nyren Magazine Fall-2010  Magazines

Posted by moazzam01 at Aug. 28, 2010
Philip-Nyren Magazine Fall-2010

Philip-Nyren Magazine Fall-2010
English | 52 Pages | PDF | 4.2 Mb

Philip Glass - Solo Piano (1989)  Music

Posted by tirexiss at May 23, 2017
Philip Glass - Solo Piano (1989)

Philip Glass - Solo Piano (1989)
EAC | FLAC (image+.cue, log) | Covers Included | 51:25 | 187 MB
Genre: Classical, Minimalism | Label: CBS Records | Catalog: MK 45576

With SOLO PIANO, Glass presents himself "unplugged" - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. Here, Glass' connection to the established "classical" tradition is most evident. Though his pieces are "minimal" (subtly altered repeated patterns or melodic motifs), yet they have an unsentimental beauty and heartfelt grace that one would hear in J.S. Bach's English Suites, as well as the piano music of Chopin and Erik Satie.
Philip Glass - Koyaanisqatsi: Original Motion Picture Score (1983) Complete Original Soundtrack Version 2009 [Repost]

Philip Glass - Koyaanisqatsi: Original Motion Picture Score (1983)
Complete Original Soundtrack Version 2009

EAC | FLAC | Image (Cue&Log) ~ 371 Mb | Mp3 (CBR320) ~ 176 Mb | Artwork included
Soundtrack, Minimalism | Label: Orange Mountain Music | # OMM0058 | 01:16:22

Koyaanisqatsi is a contemporary masterpiece. The film has had a significant impact on the media arts, music and popular culture since its release in 1983. This version is the original soundtrack including the sound effects used in the film.

Philip Reid Saves The Statue of Freedom  eBooks & eLearning

Posted by thingska at May 18, 2017
Philip Reid Saves The Statue of Freedom

Philip Reid Saves The Statue of Freedom by Eugene Walton
English | 2013 | ISBN: 1585368199, 9781585368198, B00P1IYVNI | 40 Pages | PDF | 6.09 MB

Philip Glass - A Descent into the Maelstrom (2002)  Music

Posted by Designol at May 15, 2017
Philip Glass - A Descent into the Maelstrom (2002)

Philip Glass - A Descent into the Maelström (2002)
The Philip Glass Ensemble; Michael Riesman, musical director

EAC | FLAC | Tracks (Cue&Log) ~ 383 Mb | Mp3 (CBR320) ~ 152 Mb | Scans included
Minimalism, Modern Ballet | Label: Orange Mountain Music | # OMM 0005 | 01:05:09

In 1986 Mr. Glass was commissioned to create and bring a piece to the Adelaide Festival of Arts in Adelaide, Australia. He chose to write a piece based on the Edgar Allan Poe short story "A Descent into the Maelström" and invited collaborators dancer/choreographer Molissa Fenley, set designer Eamon D’Arcy and theatre director Mathew McGuire to participate. They transformed Edgar Allan Poe's vertiginous short story of being swept into a huge and terrible whirlpool by a raging hurricane that "the oldest seaman in Norway never experienced" into a Musical/Dance/Theatre extravganza. This compelling, propulsive piece of music premiered in March, 1986 at the Adelaide Festival of Arts and was only performed by the Philip Glass Ensemble during the week of the festival in Australia. Consequently, it has had very little exposure to Philip Glass' audience. This little known recording of this powerful piece of classic Glass music was made when the Philip Glass Ensemble was at one of its peaks. It was also done in possibly one of the best settings for Philip Glass and his musicians– musical theatre.