Taking up the argument of 'Onibaba' (1964), the nonagenarian Director Kaneto Shindo places the action in the eighties: a mother and her daughter are mired in the deepest misery, eating only pine roots. To get out of poverty both shall exercise at home as geisha, but at the same time they will poison men who go parading around to take their money. The mechanism used is always the same: as a gift to the victim, they offered a glass of sake that, once ingested, makes them foam at the mouth uttering animal howls and dying in convulsions.
A child's resilience and the kindness of strangers. Thuy is 10, an orphan, working in her uncle's factory outside Saigon. He berates her constantly, so she runs away to Saigon. Over five days, we watch her survive on the streets selling flowers, while her uncle looks for her. She encounters Hai, a reserved zoo-keeper whose fiancée has jilted him. She also sells a flower to Lan, a flight attendant in the city for a layover, unlucky in love, who buys dinner for Thuy and offers her a place to stay that night. Thuy, who thinks of Lan as a sparrow and Hai as an owl, determines to bring them together. If she succeeds, then what; and what about her uncle?
Robert is an architect and artist, in Vichy after separating from his Parisian wife, Véronique, herself newly engaged. Robert finds it calms him to stand in the shadows of the home of Juliette and Patrick and watch her cook. She thinks he's a prowler and confronts him, then invites him in. Soon, she's dumped Patrick, decided she's in love with this stranger, and pursues him. Robert's diffident, Patrick is furious, and violence follows. The police are incompetent, Véronique sees an opportunity to play revenge games, and the impressionable Juliette is ensnared by thoughts of death. Can anyone exercise reason?
For centuries, the mysterious nighttime lives and uncanny hunting skills of owls have made them fascinating hallmarks of children's stories and folk tales the world over. But what actually makes owls so special? Bird trainers Lloyd and Rose Buck and their very special family of owls, eagles, falcons, geese, pigeons, and two newly-hatched barn owls - Luna and Lily - provide a rare opportunity to learn more about these unique birds. Using the latest in camera technology, computer graphics, x-rays and super-sensitive microphones, we can take a brand new look at owls in more detail than ever before. The real stories behind how they hunt, how their vision and hearing works, and how they fly so silently are influencing 21st century technology and design.
Rosa Nicolosi is not the widow of Salvatore Colasberna, the man murdered in the beginning of the movie, but she is in fact the wife of Paolo Nicolosi, the only eyewitness of the murder. Paolo goes missing the same morning as the murder occurs.