OP X

SonicProjects OP-X PRO-II v1.2.5 WiN  Software

Posted by orientazure at May 30, 2017
SonicProjects OP-X PRO-II v1.2.5 WiN

SonicProjects OP-X PRO-II v1.2.5 WiN | 3.79 Mb

OP-X PRO-II is the new top flagship of the OP series offering many new and extended features inspired by requests from users we have collected over the years as well as own new ideas. Due to its countless sound shaping features and flexible voice management the range of possible sounds reaches from early monophonic synths over classics like OB-X and Jupiter-8 up to Matrix-12.

Vivaldi - Flute Concertos Op.X (Camerata Koln) [2014 / 1990]  Music

Posted by Sowulo at May 25, 2014
Vivaldi - Flute Concertos Op.X (Camerata Koln) [2014 / 1990]

Vivaldi - Flute Concertos Op.X (Camerata Köln) [2014 / 1990]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 280 MB
Classical | Label: DHM | Catalog Number: 88843 02161 | TT: 64’27

The Camerata Köln is a Cologne-based chamber ensemble devoted largely to early music, with a special focus on woodwind compositions. The group's repertory includes concertos, quartets, quintets, sonatas, and other works mainly from the post-Renaissance era and reaching into the Classical period. The group concertizes regularly in Germany and most parts of Europe and has made numerous tours of the Americas and other parts of the globe. By 2006, it had made well over 50 recordings…

SonicProjects OP-X v1.0 VST (PC)  Software

Posted by neurofunker at May 13, 2009
SonicProjects OP-X v1.0 VST (PC)

SonicProjects OP-X v1.0 VST (PC) | 2,59 MB

SonicProjects OP-X Pro VSTi v1.1  Software

Posted by egent006 at April 18, 2008
SonicProjects OP-X Pro VSTi v1.1

SonicProjects OP-X Pro VSTi v1.1 | 3.1 MB

OPX PRO is a virtual recreation of the legendary Oberheim OBX. It is based on the OPX engine while offering many additional features for an enhanced analog feel and tremendous sonic potential. One of the main additions was to enhance the already great OPX filter with multimode functionality. The root concept was derived from the old SEM multimode filter which allowed seamless blending from lowpass over notch to highpass with a fixed bandpass position. This basic concept is enhanced with a switchable 12/24dB lowpass position and a multimode pole (only high pass in SEM) with itself seamlessly blendable modes from highpass over bandpass to notch. The lowpasstomultimode mix can also be automated by LFO and the filter envelope. This mad filter is continuously controllable in every aspect and will knock your socks off!
Carlo TESSARINI (c. 1690-c. 1766): Contrasto Armonico, Op. X., Introducioni a 4, Op. XI., Libro I.

Carlo Tessarini: Contrasto Armonico, Op. X., Introducioni a 4, Op. XI., Libro I.
Classical, Baroque Period | APE - EAC | Covers + Booklet | 306 MB | TT: 64'56"
Bonporti - Invenzioni a violino solo e basso continuo, opus X "La Pace"

Francesco Antonio Bonporti - Invenzioni a violino solo e basso continuo, opus X "La Pace", seconda volume
Classical | X Lossless Decoder | FLAC, CUE, LOG | 1 CD | Covers | 228 Mb | rs.com | 1994
Aglàia Ensemble:
Cinzia Barbagelata - violin
Jorge Alberto Guerrero - cello
Massimo Lonardi - baroque gutar
Mara Galassi - double harp
Fabio Bonizzoni - harpsichord & organ

387772
Francesco Antonio Bonporti Invenzioni a violino solo col basso continuo, Op.10
Sonate da camera a violino solo col basso continuo, Op.7

Classical | FLAC & CUE | 2 CD | Covers | Size: 755 Mb | rs.com

Accademia I Filarmonici Alberto Martini
Federico Guglielmo, L'Arte Dell'Arco - Vivaldi: L'Estro Armonico, 12 Concertos Op. 3 (2014)

Federico Guglielmo, L'Arte Dell'Arco - Vivaldi: L'Estro Armonico, 12 Concertos Op. 3 (2014)
EAC | FLAC (image+.cue, log) | Covers Included | 01:33:49 | 580 MB
Genre: Classical | Label: Brillant Classics | Catalog: 94629

Antonio Vivaldi was one of the most successful composers of the Baroque era, best known for his iconic set concertos for violin, The Four Seasons. L’Estro Armonico Op.3 is among the most important printed editions of Vivaldi’s concertos; the works immediately met with great acclaim after their publication in 1711, giving way to over 30 reprints in the subsequent 32 years.

Ad Corda - Tomaso Albinoni: Sonate da Chiesa Op. 4 (2011)  Music

Posted by Designol at Sept. 13, 2017
4790727
Ad Corda - Tomaso Albinoni: Sonate da Chiesa Op. 4 (2011)
EAC | FLAC | Image (Cue&Log) ~ 359 Mb | Mp3 (CBR320) ~ 164 Mb | Scans included
Classical, Baroque | Label: Brilliant Classics | # 94189 | Time: 01:07:52

The Venetian late Baroque composer Tomaso Albinoni had a long career in the theatre, and his prolific output included fifty-three operas. However, these stage works were lost and are now largely forgotten, and he is remembered chiefly for his concertos. The Sonate da Chiesa or ‘church’ sonatas, were four-movement concertos and fairly solemn in nature as they were written to be performed in church. However, Albinoni’s Sonate da Chiesa are less traditional, incorporating a range of dance forms, and displaying his elegant style and considerable melodic talents to great effect. The slow movements, such as the Adagio of Op.4 No.6 are particularly appealing. Albinoni’s lyrical ‘church sonatas’ are not what they seem though. Albinoni’s Sonate da Chiesa are performed on this recording by Baroque expert Luca Scandali (organ and harpsichord) and early music specialists Alessandro Ciccolini (violin), Alberto Guerrero (cello), Maurizio Piantelli (theorbo), Miguel Rincón (archlute) and Francesco Baroni (harpsichord).
4790651
Antonio Vivaldi: La Cetra, Op. 9 (1987) 2CDs
Monica Huggett (violin); Raglan Baroque Players; Nicholas Kraemer, direction

EAC | FLAC | Image (Cue&Log) ~ 545 Mb | Mp3 (CBR320) ~ 270 Mb | Scans ~ 32 Mb
Classical | Label: EMI | # CDS 7 47829 8 | Time: 01:56:39

For all the charges of unacceptable schematicism levelled at Vivaldi and his kind, Monica Huggett, as supremely imaginative as well as technically and stylistically accomplished an exponent of the baroque violin as any, demonstrates clearly that this music benefits from the guiding hand of a charismatic interpreter: her delivery of Vivaldi’s exuberant, even manic, inspiration is never less than involving and, in the slow movements, never less than touching.