OP X

SonicProjects OP-X v1.0 VST (PC)  Software

Posted by neurofunker at May 13, 2009
SonicProjects OP-X v1.0 VST (PC)

SonicProjects OP-X v1.0 VST (PC) | 2,59 MB

SonicProjects OP-X Pro VSTi v1.1  Software

Posted by egent006 at April 18, 2008
SonicProjects OP-X Pro VSTi v1.1

SonicProjects OP-X Pro VSTi v1.1 | 3.1 MB

OPX PRO is a virtual recreation of the legendary Oberheim OBX. It is based on the OPX engine while offering many additional features for an enhanced analog feel and tremendous sonic potential. One of the main additions was to enhance the already great OPX filter with multimode functionality. The root concept was derived from the old SEM multimode filter which allowed seamless blending from lowpass over notch to highpass with a fixed bandpass position. This basic concept is enhanced with a switchable 12/24dB lowpass position and a multimode pole (only high pass in SEM) with itself seamlessly blendable modes from highpass over bandpass to notch. The lowpasstomultimode mix can also be automated by LFO and the filter envelope. This mad filter is continuously controllable in every aspect and will knock your socks off!
Carlo TESSARINI (c. 1690-c. 1766): Contrasto Armonico, Op. X., Introducioni a 4, Op. XI., Libro I.

Carlo Tessarini: Contrasto Armonico, Op. X., Introducioni a 4, Op. XI., Libro I.
Classical, Baroque Period | APE - EAC | Covers + Booklet | 306 MB | TT: 64'56"
Vivaldi - Flute Concertos Op.X (Camerata Koln) [2014 / 1990]

Vivaldi - Flute Concertos Op.X (Camerata Köln) [2014 / 1990]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 280 MB
Classical | Label: DHM | Catalog Number: 88843 02161 | TT: 64’27

The Camerata Köln is a Cologne-based chamber ensemble devoted largely to early music, with a special focus on woodwind compositions. The group's repertory includes concertos, quartets, quintets, sonatas, and other works mainly from the post-Renaissance era and reaching into the Classical period. The group concertizes regularly in Germany and most parts of Europe and has made numerous tours of the Americas and other parts of the globe. By 2006, it had made well over 50 recordings…
Boston Symphony Orchestra, Seiji Ozawa - Peter Ilyich Tchaikovsky: Swan Lake, Op. 20 (1979) 2CDs, Reissue 1996

Peter Ilyich Tchaikovsky: Swan Lake, Ballet In Four Acts, Op. 20 (1979) 2CDs, Reissue 1996
Boston Symphony Orchestra, conducted by Seiji Ozawa

EAC | FLAC | Image (Cue&Log) ~ 745 Mb (incl 5%) | Mp3 (CBR320) ~ 414 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 453 055-2 | Time: 02:30:04

Swan Lake was the first of Tchaikovsky's three great ballets– works which added a new level of depth and sophistication to what had been a purely superficial art form. Today the music is so well-known and popular that it's impossible to comprehend the difficulties the composer experienced at early performances. Audiences found the music "too symphonic," and the dancers were put off by the prominence given to the orchestra which, they felt, distracted ballet fans from the action on stage. Of course, all of these supposed "defects" are precisely what we admire about the music today, and this elegant but exciting performance reveals the music in all of its glory.
Nelson Goerner - Beethoven: Piano Sonata No. 29 'Hammerklavier' & Bagatelles, Op. 126 (2016)

Nelson Goerner - Beethoven: Piano Sonata No. 29 'Hammerklavier' & Bagatelles, Op. 126 (2016)
EAC | FLAC (log,tracks+cue) -> 191 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 161 Mb (5% Rec.) | Scans included
Classical | Label: Alpha, ALPHA 239 | 2016 | 01:02:58

He is nicknamed ‘the poet of the piano’, an epithet confirmed by each of his appearances in concert or on record, most recently with his multi-award-winning Debussy and Chopin CDs. Nelson Goerner already has an imposing discography, but this is the first time he has tackled Beethoven on a recording: he has chosen the ‘Hammerklavier’, a work of unparalleled dimensions, complexity and profundity . . . But is this artist, whom a Buenos Aires newspaper praised after a recital at the famous Teatro Colón for his ‘ability to combine intellectual lucidity, undeniable depth, and a technical ease that enables him to express his ideas’, not the perfect interpreter for that monumental composition?
Holst- The Planets Op 32, Paganini- Introduction & Variations (LSO & Chorus, Gary Karr, Geoffrey Simon) [1991]

Holst- The Planets Op 32, Paganini- Introduction & Variations (London Symphony Orchestra & Chorus, Gary Karr, Geoffrey Simon) [1991]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 259 MB
Classical | Label: Laserlight | Catalog Number: 14010 | TT: 61'01

Gustav Holst's "The Planets" is a brilliant portrayal of the other celestial bodies outside of Earth (except for Pluto because it wasn't discovered back when Holst composed this). Mars is violent and in a military march form. Parts of it have the brassy dominating sound resembling that of Darth Vader's theme. Venus sounds like something out of a black-and-white romantic movie, high lush strings, celesta, french horn and all, a personal favorite. Mercury is a very playful sounding piece, strong emphasis on the woodwinds and strings. Jupiter is definately my favorite…
Takacs Quartet, Marc-Andre Hamelin - Robert Schumann: String Quartet, Op. 41, No. 3; Piano Quintet, Op. 44 (2009)

Robert Schumann - String Quartet in A major; Piano Quintet in E flat major (2009)
Takács String Quartet; Marc-André Hamelin, piano

XLD | FLAC | Tracks (Cue&Log) ~ 234 Mb (incl 5%) | Mp3 (CBR320) ~ 140 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hyperion | # CDA67631 | Time: 00:56:33

The peerless Takacs Quartet recently nominated for a Gramophone award for their second disc of Brahms's string quartets, continue their exploration of the Romantic chamber music tradition with this disc of Schumann. The Piano Quintet is by far Schumann's most popular chamber work and one of the most beloved works in the genre. Schumann was the first romantic composer to pair the piano with the string quartet. Schumann studied the string quartets of Beethoven, Mozart and Haydn and his quartet Op. 41 No. 3 demonstrates these influences. However, it contains many highly original strokes, particularly the casting of the scherzo as a set of variations. The Takacs Quartet are joined by Marc-Andre Hamelin in an invigorating partnership that has already been widely acclaimed on the concert platform.
Doric String Quartet - Franz Joseph Haydn: String Quartets, Op.20 (2014) 2CDs

Doric String Quartet - Franz Joseph Haydn: String Quartets, Op.20 (2014) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 655 Mb (incl 5%) | Mp3 (CBR320) ~ 367 Mb (incl 5%) | Scans included
Genre: Classical | Label: Chandos | # CHAN 10831 | Time: 02:30:03

Haydn’s six Op. 20 string quartets are milestones in the history of the genre. He wrote them in 1772 for performance by his colleagues at the Esterházy court and, unusually, not specifically for publication. Each one is a unique masterpiece and the set introduces compositional techniques that radically transformed the genre and shaped it for centuries to come. Haydn overturns conventional instrumental roles, crafts remarkably original colours and textures, and unlocks new expressive possibilities in these works which were crucial in establishing the reputation of purely instrumental music. The range within the quartets is kaleidoscopic. From the introspective, chorale-like slow movement of No. 1 via the terse and radical quartet No. 3 in G minor to the comic spirit of the fourth in D major, each of the quartets inhabits a distinct musical world. For many, this is some of the greatest music Haydn ever wrote. Playing these seminal works is one of the world’s finest young ensembles, the Doric String Quartet.
Andrew Manze, Richard Egarr - Corelli: Violin Sonatas, Op. 5 (2002)

Andrew Manze, Richard Egarr - Corelli: Violin Sonatas, Op. 5 (2002)
EAC | APE (image+.cue, log) | Covers Included | 67:18 + 63:53 | 786 MB
Genre: Classical | Label: Harmonia Mundi | Catalog: 907298/99

Corelli's Op. 5 Violin Sonatas have always been admired by chamber music fans; there are a couple of good recordings of them already available. But this new one by Baroque specialist and virtuoso Andrew Manze and harpsichordist Richard Egarr presents the sonatas in such a bright, exciting, and improvisatory light that they seem brand new. During the composer's lifetime, these sonatas were widely played and tremendously influential; there's a good chance that it was assumed that virtuosi took what was written on the page as a starting point for embellishing and sheer showing off.