Nikolaus Harnoncourt presents his reading of “La Finta giardiniera”, a long-forgotten wonderfully tragicomic opera by the young Mozart. Almost a quarter of a century ago Harnoncourt presented his reading of the rediscovered work on CD, but in this version from the Zurich Opera, the great Mozart magician conducted a staged production for the first time, making the premiere an event in itself.
Critical acclaim for this superb co-production of Vienna's Staatsoper, the Wiener Festwochen and Brussels' Théâtre de la Monnaie (Das Opernglas): "Directors Ursel and Karl-Ernst Herrmann, working with Nikolaus Harnoncourt, demonstrate that the 'Entführung' is fully on the level of Mozart's Da Ponte operas and 'Zauberflöte'. In the harmony of staging and music, this is one of the most impressive Mozart performances Vienna has offered in a long time… Breaking with tradition, it seeks to fulfil his intentions as closely as possible."
Conducted by Nikolaus Harnoncourt. A fantastic concert celebrating the coming of Christmas, recorded live at one of Austria's finest baroque monasteries. Soloists are Christine Schafer, Anna Korondi, Bernarda Fink, Ian Bostridge, Christopher Maltman. With the Concentus Musicus Vienna and the Arnold Schoenberg Choir.
Beethoven called Mozart's Requiem "wild and terrible", and that's what we get in Harnoncourt's new recording. Ominous dread hangs from every note of the dark opening measures, the Rex tremendae and Confutatis are driven with terrifying strength, and the supplications of the Lacrimosa, with their weeping stabbings of the orchestra, are freighted with emotional power. The Tuba mirum duet of bass soloist and trombone has a beauty almost never achieved in other readings. Nor does Harnoncourt overstep the stylistic boundaries of this classical-era work; rather, the intensity is heightened for being in the idiom of its time.
This new, excitingly original production of Mozart's most popular opera was the sensation of the 2006 Salzburg Festival. "What young director Claus Guth has made of Figaro - with Harnoncourt's active collaboration - is genius … The stellar cast performed with power and precision …" (Le Monde). "…a fully rounded musical performance…By and large the opera could hardly be more strongly cast. Anna Netrebko is a dreamy, vulnerable and beautifully sung Susanna, and Ildebrando D'Arcangelo's smouldering Figaro is a really macho rival to the Count.” (Gramophone)