Saturday Night Live producer Lorne Michaels managed to turn Will Ferrell and Chris Kattan's recurring one-joke skit about two clueless clubheads into a major motion picture. That's why they call him an entrepreneur. More importantly, the soundtrack to said film makes a good excuse for a compilation full of surefire club hits whose sights are set squarely on the dancefloor. From the inescapable "What Is Love" (Haddaway) to 3rd Party's revamped version of M's '80s hit "Pop Muzik," A Night at the Roxbury is a nonstop dancefest, full of relentless beats and hooky synth riffs guaranteed to fire up even the most lackluster of parties.
There are some really nice tunes on this soundtrack to the excellent film "Grumpier Old Men". The highlights for me are the songs by Louis Armstrong, Dean Martin, Harry Belafonte, Doris Day, Nat King Cole and the couple of instrumentals by composer Alan Silvestri. These are the recordings that will remind you of the fun that GOM provided to those fortunate to see legends Lemmon, Matthau, Meredith, Ann-Margaret and Sophia Loren (holy moly) in their last great film together. The only pity is that because the first films soundtrack is not available to buy, that the song from that film "We're Having A Heatwave" is not here. Sound quality is excellent and joyous.
Whenever he was asked to name his own personal favorite within his long and distinguished oeuvre, Jerry Goldsmith inevitably cited his work on 1977's obscure Ernest Hemingway adaptation Islands in the Stream. A lush, often melancholy score evoking both the serenity and the treachery of the sea, it is undoubtedly Goldsmith's most intimate effort, eschewing the larger-than-life drama and suspense of his best-known soundtracks. Islands in the Stream is above all a showcase for the composer's consummate ability to vividly communicate both the physical and emotional landscape in such simple yet precise strokes – employing little but a lone French horn, Goldsmith's main theme captures the immense loneliness and solitude of George C. Scott's protagonist, while gentle woodwinds suggest the ocean waves lapping the shore of his island home.
ONCE is a modern day musical set on the streets of Dublin. Featuring Glen Hansard, lead singer of the Irish band "The Frames," the film tells the story of a street musician and a Czech immigrant during an eventful week as they write, rehearse and record songs that reveal their unique love story. Contains 13 original songs written and performed by Glen Hansard and Marketa Irglova, all of which are performed in the film. A collector's edition of the soundtrack was released on 4 December 2007 in the US with additional songs and a bonus DVD with live performances and interviews about the film. The additional songs were two previously unreleased Van Morrison covers: Hansard's "And the Healing Has Begun", and Hansard and Irglová's "Into the Mystic".
Baz Luhrmann's garish, flamboyant adaptation of Romeo + Juliet was hyper-kinetic and colorful, boasting a heavy inspiration from the visual style of MTV, so it's only appropriate that the soundtrack was tailored for the alternative nation that MTV fostered. Combining modern rock acts like Garbage, Radiohead, the Cardigans, and the Butthole Surfers with contemporary soul like Des'ree and adult alternative like Gavin Friday, the album is slick, polished, catchy – and surprisingly strong. Though the soul and pop is good, the alternative rock acts on the soundtrack fare the best, with Garbage and Radiohead both contributing excellent B-sides ("Number One Crush" and "Talk Show Host," respectively), with the Cardigans' sleek, sexy lounge-disco number "Lovefool" stealing the show.