Mahler

Mariss Jansons - Mahler: Symphony No. 9 in D Major (2017)  Music

Posted by SERTiL at Feb. 22, 2017
Mariss Jansons - Mahler: Symphony No. 9 in D Major (2017)

Mariss Jansons - Mahler: Symphony No. 9 in D Major
Classical | WEB FLAC (tracks) & d. booklet | 80:41 min | 340 MB
Label: BR-Klassik | Tracks: 04 | Rls.date: 2017

Gustav Mahler's Ninth Symphony is primarily regarded as the composer's reaction in the summer of 1908 to the diagnosis of a heart ailment, which he received just before writing the first sketches for the work. Mahler was deeply distraught and cannot have known how few years he still had left to live. His processing and exploration of his life experiences, and of valedictions, the meaning of life, death, salvation, life after death and love, always took playce in and through his music.
Gustav Mahler - Symphonies 1-10, Das Lied von der Erde (Box-set) (Gary Bertini) (2005) {EMI}

Gustav Mahler - Symphonies 1-10, Das Lied von der Erde (Box set) (Gary Bertini) (2005)
EAC Rip | FLAC with CUE and log | covers+booklet | 3623 mb | MP3 CBR 320kbps | RAR | 1876 mb
Classical | Label: EMI Classics (0946 340238 2 5)

You will probably be as incredulous as I was to learn that the greatest cycle of Mahler symphonies comes not from any of the usual suspects - Abbado, Bernstein, Chially, Haitink, Kubelik, Rattle, Sinopoli, Solti, Tennstedt - but from the unsung Gary Bertini, who spent the better part of his career as music director of the Cologne Radio Symphony Orchestra. Unlike any of those more publicized sets, each of which includes a misfire or two, Bertini is consistently successful from first to last; his performance of each of these works can stand comparison with the very best available.
Robert Olson, Polish National Radio Symphony Orchestra - Gustav Mahler: Symphony No. 10 (2002)

Robert Olson, Polish National Radio Symphony Orchestra - Gustav Mahler: Symphony No. 10 (2002)
EAC | FLAC (tracks+.cue, log) | Covers Included | 01:18:59 | 397 MB
Genre: Classical | Label: Naxos | Catalog: 8.554811

The musical reconstructions industry keeps gathering pace, but few works have attracted as much attention as Mahler's 10th Symphony. Joe Wheeler (who died in 1977) was a brass-playing British civil servant with a passion for Mahler. This completion (itself in an edition by the conductor here, Robert Olson) uses the leaner orchestration of the composer's later years. But does it sound Mahlerian? Certainly more so than Remo Mazzetti's 1997 version, but neither caps Deryck Cooke's acute sense of authentic detail and color in his legendary edition.
Mahler - Symphony no.4 (Ivan Fischer, Budapest Festival Orchestra) (2009) {Channel Classics}

Mahler - Symphony no.4 (Ivan Fischer, Budapest Festival Orchestra) (2009)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 190 mb | MP3 CBR 320kbps | RAR | 140 mb
Classical, Symphony, Romantic | Label: Channel Classics ‎- CCS SA 26109

Fans of Gustav Mahler's joyous Symphony No. 4 in G major will relish this buoyant performance by Ivan Fischer and the Budapest Festival Orchestra, featuring soprano Miah Persson, for it is wholly in keeping with the light tone and merry spirit of the score and is as delightful as any other recording on the market.
Mahler - Symphony No. 5 (Claudio Abbado, Chicago Symphony Orchestra) (2003) {Deutsche Grammophon}

Mahler - Symphony No. 5 (Claudio Abbado, Chicago Symphony Orchestra) (2003)
EAC Rip | (tracks+.cue, log) | Booklet | 328 mb | MP3 CBR 320kbps | RAR | 188 mb
Classical | Label: Deutsche Grammophon / 474 169 - 2

Claudio Abbado was an Italian conductor. One of the most celebrated and respected conductors of the 20th century, particularly in the music of Gustav Mahler, he served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, founder and director of Lucerne Festival Orchestra, music director of European Union Youth Orchestra and principal conductor of the Berlin Philharmonic orchestra.
Thomas Quasthoff, Håkan Hagegård - Mahler: Lieder eines fahrenden Gesellen, Kindertotenlieder, Des Knaben Wunderhorn (2008)

Thomas Quasthoff, Håkan Hagegård, Gary Bertini - Mahler: Lieder eines fahrenden Gesellen, Kindertotenlieder, Des Knaben Wunderhorn (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 64:40 | 321 MB
Genre: Classical, Vocal | Label: Phoenix Edition | Catalog: 105PHOENIX

This is a reissue of Mahler performances delivered in Cologne in 1992 and 1993, and Thomas Quasthoff, just on the verge of international fame, was in phenomenal voice. The upper extension of his beautiful, expressive bass-baritone is thrilling, in perfect control. Artistically, he only grew stronger, as evidenced by his searing reading of 'Lieder eines fahrenden Gesellen' under Boulez (DG), but this earlier interpretation comes close, and there's no comparison so far as vocalism is concerned. The WDR orchestra plays well under the rather prosaic leadership of the late Gary Bertini (a native Russian who emigrated to Palestine as a child in the 1930s)– both are good enough, and the recorded sound is excellent. In all, this is a shattering reading by Quasthoff that should be heard by every lover of Mahler.

Bernard Haitink - Mahler: Symphony No. 3 in D Minor (2017)  Music

Posted by SERTiL at Jan. 7, 2017
Bernard Haitink - Mahler: Symphony No. 3 in D Minor (2017)

Bernard Haitink - Mahler: Symphony No. 3 in D Minor
Classical | MP3 CBR 320 kbps | 101:28 min | 232 MB
Label: BR Klassik | Tracks: 06 | Rls.date: 2017

Enregistrée en public les 15 et 17 juin 2016 à Munich, cette Troisième de Mahler – la plus longue du compositeur, avec quelque cent minutes de durée – bénéficie grandement de la vision architecturale du vénérable Bernard Haitink, alors âgé de quatre-vingt-six printemps, toujours aussi présent dans l’âme et à la fois discret dans la gestuelle.
Shiyeon Sung and Gyeonggi Philharmonic Orchestra - Mahler Symphony No. 5 (2016)

Shiyeon Sung and Gyeonggi Philharmonic Orchestra - Mahler Symphony No. 5 (2016)
Classical | MP3 CBR 320 kbps | 01:13:38 | 168 MB
Label: Decca | Release Year: 2016

The South Korean conductor Shiyeon Sung is characterised by a natural authority, a collegial and inspiring rehearsal approach and the ability to find the right nuance on the fine line between passion and ratio. With the Gyeonggi Philharmonic Orchestra, whose chief conductor she has been since January 2014, she went on tour in Europe for the first time in the summer of 2015. Together, they appeared at the Philharmonie Berlin, in Wiesbaden and at the Musik Festival Saar amongst others. Shortly afterwards, she conducted the National Symphony Orchestra Washington at the Wolf Trap Festival in a programme of works by Beethoven and Bruch.
Giuseppe Sinopoli / Philharmonia Orchestra - Mahler-Sinopoli: The Complete Recordings (15 CD Box Set) (2001)

Giuseppe Sinopoli / Philharmonia Orchestra - Mahler-Sinopoli: The Complete Recordings (15 CD Box Set) (2001)
Classical | MP3 320 kbps CBR | 940 min | 2,2 GB
Label: Deutsche Grammophon | Rel:2001

Gustav Mahler (German pronunciation: [staf mal]; 7 July 1860 – 18 May 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. He was born in the village of Kalischt, Bohemia, in what was then the Austrian Empire, now Kalit in the Czech Republic. Then his family moved to nearby Iglau (now Jihlava) where Mahler grew up. As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century…

Natalia Ensemble and Gustav Mahler - Mahler V (2016)  Music

Posted by tomashass at Dec. 7, 2016
Natalia Ensemble and Gustav Mahler - Mahler V (2016)

Natalia Ensemble and Gustav Mahler - Mahler V (2016)
MP3 320 kbps CBR | 01:07:12 | 154 MB
Genre: Classical | Label: COBRA RECORDS

The history of chamber arrangements of Mahler’s symphonies goes back to the aftermath of the First World War. At that time Arnold Schoenberg founded the Society for Private Musical Performances (Verein für musikalische Privataufführungen), devoted to the performance of contemporary scores at the highest standards. The limited means of the society prevented the performance of the orchestral works in its original form, so they were done in specially adapted chamber arrangements. The performances were guided by a lack of concession to both the audience and critics alike, repeated hearing of the same works and a profuse number of rehearsals from the musicians. Allegedly, the indifference towards any form of failure or success was absolute.