This film is nothing short of "must see" documentary history. I'll never be able to fully express how moving it is to see the young men of Pink Floyd during uninhibited moments of creativity, eating and chatting together, rehearsing, having philosophical discussions about the fate of rock-n-roll music and the shaking off of their drug-oriented image, and even arguing now and then.
Beyond how intriguing the band and it's members are, the film itself is so well directed and beautifully shot. The sound is excellent. Incredibly artistic film montages add to, rather than detract from the music. I have never seen a better portrayal of live music. The sheer musicianship of these men is mind boggling. Each is highlighted at different points in the film and it is clear that they have immense skill and talent.
Pink Floyd was so ahead of its time and will never seem out of style. And this film, although shot in 1972, is as fresh as a daisy. There are some incomparable moments, making this truly the best rock documentary I have ever seen. David Gilmour looks very handsome, by the way, and will always be my favorite guitar god.
Catch Bull at Four is an album by Cat Stevens. It was Stevens' most successful album in the United States, holding the top spot on Billboard's chart for three consecutive weeks. The title is taken from one of the Ten Bulls of Zen."
Some of Grant Green's hottest moments as a jazz-funk bandleader came on his live records of the era, which were filled with extended, smoking grooves and gritty ensemble interplay. Live at the Lighthouse makes a fine companion piece to the excellent Alive!, though there are some subtle differences which give the album its own distinct flavor.