Larry Carlton and Steve Lukather share the stage once again in this exceptional live recording at the famous Blue Note in Tokyo Japan. This 7 song concert features amazing tunes such as the famous Robert Johnson Crossroads and The Beatles While My Guitar Gently Weeps. The talent level of these two legends when paired together is unparalleled.
While touring between Strikes Twice and its follow-up, Sleepwalk, Larry Carlton recorded Eight Times Up live in Tokyo in early 1982. This was his second live album recorded in Japan in under a decade (following 1979's excellent Mr. 335 Live in Japan), and once again found Carlton and band in fine form playing smooth jazz-fusion. Songs from Strikes Twice and Sleepwalk largely comprise this six-song recording. And though the production and instrumentation definitely sound dated, Carlton's guitar playing is once again textbook smooth jazz, and makes up for that slight sonic nuance.
Larry Carlton's fourth studio album, 1981's Strikes Twice, features the guitarist/vocalist playing a mix of crossover jazz and soft rock. While Carlton had previously sung and played guitar on his 1968 debut and 1973 follow-up, it was not until his 1978 eponymous release that he fully developed his trademark electric guitar sound, mixing jazz, rock, and pop elements. Strike Twice finds Carlton building upon that sound with songs that move between bright instrumental jazz rock ("Springville," "Midnight Parade") and melodic AM pop ("Ain't Nothin' for a Heartache," "Magician")
The Jazz King record is the result of a composition Carlton wrote for H. M. King Bhumibol Adulyadej of Thailand. The Jazz King project was initiated to celebrate the 60th anniversary of King Bhumibol's accession to the throne as well as his 80th birthday in 2007. Carlton was commissioned to write this composition by the Royal Project Foundation and Rotary Club of Bangkok. These compositions were released on CD only in Thailand.
The 2001 get together of these two masters at their creative peak was an unforgettable experience fuelled by mutual love and respect, freedom of inspiration and the sheer pleasure of playing. Could there be a better reminder that blues and rock find the main source of their energy in the complicity between musicians? Before you shove the disc into the player, a bit of friendly advice: fasten your seat-belts!
Larry Carlton and his legendary guitar skills will be backed by some amazing musicians on keyboards, bass, back-up vocals, drums, and horn section. This line-up will bring these timeless classics back to life with a new twist that will make this a unique one of a kind performance.
This is a fairly typical Larry Carlton date, with a mixture of music (funky jazz, R&B, some rock influences and a bit of pop) and some distinctive if unadventurous guitar playing. Carlton, who is joined by an electric rhythm section (including keyboardists Terry Trotter and Alan Pasqua) and occasionally saxophonist Kirk Whalum, sounds fine, but the music appears to have been geared toward potential radio airplay. The biggest surprise is a version of Eric Clapton's "Layla."
LARRY & LEE was nominated for a 1996 Grammy Award for Best Contemporary Jazz Performance.Larry Carlton and Lee Ritenour have had parallel careers, but this CD is their first joint meeting on record. The two guitarists complement each other well and there are hints of Wes Montgomery along with a tribute to Joe Pass ("Remembering J.P."), but the songs (all of them their originals) are little more than rhythmic grooves most of the time with the usual fadeouts.
Three-time Grammy award winner Larry Carlton performs his imitable Jazz fusion sound at Paris' legendary New Morning club, in April 2008. Tracks include the favourites 'Room 335' and 'Walk With Me'.