One of the best trombone players in the Latin-jazz community of the 1990s, Juan Pablo Torres provided a crucial role in recordings by Paquito D'Rivera, Charles Azvanour and Gilberto Santa Rosa. In addition, the Cuban recorded at least two dozen.
Juan Pablo Torres is one of the best trombone players in the Latin-jazz community of the 1990s.This CD is compilation of tracks of well known latin flutist Dave Valentin and Juan Pablo Torres.Here you'll find both artists in excellent form.
Issued just after his landmark two-week June 1998 gig at the Village Vanguard and subsequent U.S./Canada tour, Chucho Valdйs' first album for Blue Note bears out a lot of the hype surrounding this hugely gifted Cuban pianist. Unlike many of today's younger Cuban keyboard hotshots, Valdйs not only has great technical chops and musical erudition, he manages to stay closely tied to his Cuban rhythmic roots. Thus, he employs a Cuban percussionist Roberto Vizcaino Guillot along with the standard bass (Alain Pйrez Rodriguez) and drums (Raъl Pнсeda Roque), which dramatically increases the possibilities for rhythmic experiments. Valdes more often than not is all over the keyboard, comfortable with everything from Ravel-ian classical complexity to Bill Evans' introspection to Cecil Taylor-like crunches.
Chucho Valdes, Cuba's most famous jazz musician, has rebalanced the repertoire of his Afro-Cuban Messengers on Border-Free, mixing its American-jazz agenda (the group's name deliberately references both Valdes' roots and the late Art Blakey's classic soul-bop Jazz Messengers group) with more extended Latin-American input, and some Native American and Andalusian connections, too. Saxophonist Branford Marsalis, guesting on three tracks, is warmly romantic on tenor on the loping Tabu, agile and fluent on the Cuban dance-shuffle Bebo, and mercurial on a soprano-sax break full of north African microtonalisms on the hurtling, horn-hooting finale, Abdel.