Jim Payne

Kenny Neal - Devil Child (1989)  Music

Posted by Designol at Dec. 12, 2016
Kenny Neal - Devil Child (1989)

Kenny Neal - Devil Child (1989)
EAC | FLAC | Image (Cue&Log) ~ 284 Mb (incl 5%) | Mp3 (CBR320) ~ 129 Mb (incl 5%) | Scans included
Modern Electric Blues, Swamp Blues, Louisiana Blues | Label: Alligator | # ALCD 4774 | 00:40:46

Backed by a punchy horn section and sizzling rhythms, Neal didn't suffer from any sophomore jinx. Between Neal, his bass-playing co-producer Bob Greenlee, and drummer Jim Payne, there's some very crafty songwriting going on here – "Any Fool Will Do," "Bad Check," and "Can't Have Your Cake (And Eat It Too)" are among the standouts.

Freda Payne - After The Lights Go Down Low (1963)  Music

Posted by TestTickles at Oct. 24, 2015
Freda Payne - After The Lights Go Down Low (1963)

Freda Payne - After The Lights Go Down Low (1963)
EAC Rip | FLAC with CUE and log | scans | 232 mb
MP3 CBR 320kbps | RAR | 95 mb
Genre: vocal jazz, jazz

After The Lights Go Down Low is the 1963 album by Freda Payne. Also called After The Lights Go Down Low And Much More!!!, which was her debut for the jazz label Impulse Records, as she started out as a jazz singer. She moved on to MGM Records afterwards but would not have a successful song until 1970, when she released "Band Of Gold". This is from the CD released by Verve Music Group on 13 September, 2005.

Jim Lauderdale - London Southern (2017)  Music

Posted by Pisulik at Feb. 16, 2017
Jim Lauderdale - London Southern (2017)

Jim Lauderdale - London Southern (2017)
Country | MP3 CBR 320 kbps | 00:39:54 | 98 MB
Label: Proper Records | Release Year: 2017

Recorded in London at Goldtop studios and produced by Neil Brockbank and Robert Trehern, Jim Lauderdale's new album, London Southern features co-writes with Dan Penn, Joan Oates, Odie Blackmon and Kendell Marvell alongside six solo compositions and a host of celebrated guest musicians.Jim Lauderdale is both a 'songwriter's songwriter', who has written/co-written many modern classics for iconic artists, as well as an intuitive sideman who has enhanced the music of a bevy of esteemed musicians. As a solo artist, he has created a critically acclaimed body of work spanning nearly 30 albums of imaginative roots music.
Lucky Peterson - Beyond Cool (1993) {Verve 521 147-2} (ft. Laurent Cugny)

Lucky Peterson - Beyond Cool (1993) {Verve 521 147-2} (ft. Laurent Cugny)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 404 Mb | MP3 @320 -> 138 Mb
Full Artwork @ 300 dpi (png) -> 31 Mb | 5% repair rar
© 1993 Verve / Polydor / PolyGram / Gitanes Jazz | 521 147-2
Blues / Blues Rock / Soul Blues / Modern Electric Blues / Funk Blues

Here Lucky goes to Memphis. Several years into a solo career, the former blues whiz kid plays good keyboards and guitar, and sings stirringly on originals and covers from all over the black music map (Stevie Wonder, Jimi Hendrix, Les McCann & Eddie Harris, blues piano master Roosevelt Sykes, etc.) His modern soul-cum-blues is hot, sweaty, and aggressive, and he gets the job done in busy arrangements shared with the Memphis Horns, honey-throated back-up singers, and muscular hired guns like bassist Willie Weeks and drummer Crusher Green. Peterson had the good sense to collaborate with New Yorker Jim Payne when writing five songs for the album, including the killer slow blues instrumental that doubles as the album title.

Jim Dandy's Black Oak, Arkansas - The Wild Bunch (1999)  Music

Posted by uff at Feb. 1, 2017
Jim Dandy's Black Oak, Arkansas - The Wild Bunch (1999)

Jim Dandy's Black Oak, Arkansas - The Wild Bunch (1999)
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Deadline, CLP0705-2 | rel: 1999 | 610Mb

Boy, talk about a return to form. Black Oak Arkansas' first new album in over ten years is easily the best thing they've done since their '70s heyday. This record reunites the men who formed the band way back in 1963, frontman extraordinaire Jim Dandy (prime exponent of "Dandyism"), rhythm guitarist Rickie Lee Reynolds, and bassman Dirty Daugherty. The chemistry that is still there is amazing.
Jim White vs. The Packway Handle Band - Take It Like A Man (2015) {Yep Roc Records YEP-2409}

Jim White vs. The Packway Handle Band - Take It Like A Man (2015) {Yep Roc Records YEP-2409}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 242 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 2015 Yep Roc Records | YEP-2409
Alternative Country / Bluegrass / Americana / Alternative Folk

Given the backwoods surrealism and shifting musical textures of most of his work, Jim White is not a guy who often comes off as playful or joyous, but those are two words that easily describe White's collaboration with the Athens, Georgia roots band the Packway Handle Band, 2014's Take It Like a Man. White and the Packway Handle Band are mutual admirers, and when White stepped in to produce an album for the group, he brought along a set of bluegrass-influenced tunes he'd written. The project turned into a co-starring effort, and the meet-up brings out the best in all parties concerned.
The Art Farmer Quartet featuring Jim Hall - Interaction (1963) {Atlantic Warner Japan 30XD-1039 rel 1988}

The Art Farmer Quartet featuring Jim Hall - Interaction (1963) {Atlantic Warner Japan 30XD-1039 rel 1988}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (jpg) -> 87 Mb | 5% repair rar
© 1963, 1988 Atlantic / Warner Japan | 30XD-1039
Jazz / Bop / Cool / Flugelhorn / Guitar

This [reissue] restores to circulation a strong Atlantic date from Art Farmer's immediate post-Jazztet period and features Farmer's quartet playing standards with swinging subtlety. Interaction, from 1963, is a vehicle for the intertwining improvisations of guitarist Jim Hall and Farmer, on flügelhorn, who weaves through and around Hall's sublimely understated lines with disarming ease, elegance, and sensitivity.
Billie & De De Pierce / Jim Robinson's New Orleans Band - Jazz At Preservation Hall II (1962) {2013 Japan Jazz Best Collection}

Billie & De De Pierce / Jim Robinson's New Orleans Band - Jazz At Preservation Hall II (1962) {2013 Japan Jazz Best Collection 1000 Series 24bit}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 203 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 600 dpi (png) -> 161 Mb | 5% repair rar | 24bit remaster
© 1962, 2013 Atlantic / Warner Japan / WEA / Rhino | WPCR-27391 | Jazz Best Collection 1000 Series
Jazz / Dixieland / New Orleans Jazz / Jazz Blues

Features 24 bit remastering and comes with a mini-description. Released in 1963, this is a pair of traditional dixieland jazz performances recorded at the historic Preservation Hall in New Orleans - very distinctly New Orleans sound. Nathan "Jim" or "Big Jim" Robinson was a very reliable New Orleans trombonist who was much more consistent than most of the musicians he performed with, never seeming to have an off day. A jazz pioneer, Robinson played guitar as a child and started playing trombone in 1917, while stationed in France during World War I; he was already 24.
Jim Oliver & Jorge Alfano - Musical Massage: Radiant Touch (2007)

Jim Oliver & Jorge Alfano - Musical Massage: Radiant Touch (2007)
EAC Rip | FLAC (tracks+.cue+log) - 580 MB | MP3 CBR 320 kbps (LAME 3.93) - 297 MB | Covers - 68 MB
Genre: New Age | RAR 3% Rec. | Label: The Relaxation Company

Jim Oliver, Emmy Award-winning performer, and Jorge Alfano, world music multi-instrumentalist, envelop you in a sensual and warm musical ambiance. The Musical Massage Series features instrumental works that immerse the listener in an ambiance of relaxation, deep healing, and rejuvenation. This is music that was created to be heard, felt, and absorbed. A sonic massage for the mind, body, and soul…

Jim Hall - Concierto (1975) [MFSL, UDSACD 2012]  Music

Posted by v3122 at Nov. 26, 2016
Jim Hall - Concierto (1975) [MFSL, UDSACD 2012]

Jim Hall - Concierto (1975)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2003 | Mobile Fidelity Sound Lab, UDSACD 2012 | ~ 392 or 182 Mb | Scans Included
Jazz, Post Bop, Cool Jazz

Guitarist Jim Hall is the sort of musician who displays such technical expertise, imaginative conception, and elegance of line and phrase that almost any recording of his is worth hearing. Still, Concierto ranks among the best albums of his superb catalog. For starters, the personnel here is a jazz lover's dream come true…