In the decades since its founding, the Scottish National Orchestra has earned a reputation as a distinguished ensemble with an extensive concert schedule, wide-ranging repertoire, and a significant representation on recordings. The SNO is the direct descendant of the Scottish Orchestra, founded in Glasgow in 1890; with the establishment of the Scottish National Orchestra Society in 1950 with monies from Glasgow, Aberdeen, Edinburgh, and Dundee, the SNO became a permanent ensemble. Throughout its first 40 years, the Scottish Orchestra had no permanent principal conductor, instead relying on a series of eminent guest conductors.
In 2002 the Transatlantic Radio label fortified their catalog with a 26-track anthology of historic sides by the Jean Goldkette Orchestra. Victor Recordings 1924-1928 neatly samples some of the group's best works by beginning in March 1924, a good nine months before Bix Beiderbecke first sat in, and ending in December 1928, more than a year after Bix had joined the ranks of Paul Whiteman's Orchestra, along with some of Goldkette's most capable players. During the mid-‘20s the Goldkette band played its best music in front of live audiences, using arrangements by Bill Challis. Studio recordings captured some of the magic in the form of sweet and hot dance music punctuated by period pop vocals. Rather than packing in a lot of alternate takes (which may be found on other equally fine collections), the folks at Transatlantic chose to lay out a sensible selection that accurately embodies what the Goldkette band was all about.