Frankie Miller is one of the great unsung rockers of the '70s, a blue-eyed soul singer on par with Rod Stewart and Joe Cocker who could also rock as hard as Bob Seger. All three of these artists recognized a kindred spirit in Miller, with all three covering his songs in the '70s and '80s. Like all hard-working rockers, Miller kept working right into the '90s, when he tragically suffered a brain hemorrhage while woodshedding a new band with Joe Walsh. After five months, he emerged from a coma but was paralyzed and lost his speech. His friends did their best to keep his legacy alive, a mission that peaks with 2016's Frankie Miller's Double Take. Instigated by the curiosity of Rod Stewart, producer David Mackay asked Miller's wife if there were any unreleased songs…
'Every Guitar Hero Needs a Ballad'. That is what our co-founder Jan Cyrka said when we decided to create our first ever JTC original full length album. Vai, Satriani, you name them…they have one! So we spoke to a number of the artists on our glittering roster and asked them to compose their ultimate ballad. The result is a powerful album that is full of pure emotion and drive and takes you on a journey through the minds of 11 incredibly talented guitar players and composers.
Japanese only Live CDs release from the Jay Graydon All Stars featuring Bill Champlin, Steve Porcaro, Joseph Williams, and more! CD features the high-fidelity SHM-CD format (compatible with standard CD players). Two-time Grammy winner/arranger/producer/songwriter/guitarist Jay Graydon's credits include hits by Chicago, Earth, Wind & Fire ("After the Love Is Gone," co-written with David Foster and Bill Champlin), Steely Dan, Dionne Warwick, Air Supply, Chaka Khan, Al Jarreau ("Mornin'"), Breakin' Away, Heart's Horizon, High Crime, Jarreau, This Time, the Manhattan Transfer ("Twilight Zone"), George Benson ("Turn Your Love Around"), Cher, Christopher Cross, DeBarge ("Who's Holding Donna Now"), Barry Manilow (Even Now), and El Debarge, among many others. He also was involved with the soundtracks to Ghostbusters, Miami Vice, and St. Elmo's Fire.
While Gil Shaham's interpretation of Barber's violin concerto may have been more soulful, or David Zinman's interpretation of his Music for a Scene From Shelley more dramatic, no one would say that James Buswell's interpretation of the concerto is anything less than heartfelt or that Marin Alsop's interpretation of the Shelley music is anything less than affecting.