Handel cd

Handel - Giustino (Nicholas McGegan) [1994]  Music

Posted by Vilboa at Feb. 22, 2017
Handel - Giustino (Nicholas McGegan) [1994]

Handel - Giustino (Nicholas McGegan) [1994]
Classical | Harmonia Mundi 907130.32 | TT: 74.22+38.35+60.20 | EAC (FLAC, cue, log) | Covers | 789 Mb

Giustino is the Baroque version of a ‘ripping yarn’. The eponymous hero rises from ploughboy to emperor via an action-packed curriculum vitae that has him seeing visions, routing traitors, fighting bears and even slaying a sea-monster! Written in the autumn of 1736, shortly after Handel had suffered a period of ill-health, Giustino is not among his greatest operas, but it is thoroughly entertaining and offers much fine music. Particularly felicitous are Giustino’s bucolic aria ‘Può ben nascere tra li boschi’ and Anastasio’s lovely ‘O fiero e rio sospetto’. The headlong pace leaves Handel little time to develop the more sensual, amorous side of his music. One exception – and the opera’s most entrancing interlude – is the ravishing love duet in Act II, superbly sung here by Dorothea Röschmann (Arianna) and Dawn Kotoski (Anastasio). Michael Chance too is outstanding in the title role, proving that even countertenors can exude machismo. Nicholas McGegan coaxes a stylish performance from the Freiburg Baroque Orchestra. Giustino is the fourth Handel opera he has now recorded following a staging at the Göttingen Festival and this is his most assured reading to date. Mention in the credits of a Bear Growl Advisor suggests a commendable attention to grizzly detail. (Graham Lock)

Richard Egarr - Handel: 8 'Great' Suites (2014)  Music

Posted by tirexiss at Jan. 19, 2017
Richard Egarr - Handel: 8 'Great' Suites (2014)

Richard Egarr - Handel: 8 'Great' Suites (2014)
EAC | FLAC (tracks+.cue, log) | Covers Included | 01:58:12 | 779 MB
Genre: Classical | Label: Harmonia Mundi | Catalog: HMU 907581

“[These suites] have rarely been recorded or promoted by harpsichordists during the most recent revival of interest in ‘early music.’” I realize that Richard Egarr is entitled to his own opinions—his liner notes on an earlier release, for example, likened the humor in Purcell’s harpsichord music to that of the wonderful old 1950s BBC comedy The Goon Show —but he’s not entitled to his own facts. Christopher Brodersen pointed out in a 2011 review of these works featuring Laurence Cummings ( Fanfare 34:5) that ArkivMusic listed nine complete sets played on the harpsichord, with several others on the piano. I find some of the suites have considerably more recordings than that, in 2014: 26 for the Suite in A Major, 28 for the Suite in D Minor, 25 for the Suite in E Minor, 47 for the Suite in E Major. If such numbers reflect rare recordings, I have to wonder what Egarr would consider a moderate number, let alone a frequent one.
Sir Thomas Beecham & Royal Philharmonic Orchestra in Ascona, 1957: Beethoven, Handel, Delius, Sibelius (2000)

Ludwig van Beethoven - Symphony No.7; George Frideric Handel - Love in Bath: Ballet Suite
Frederick Delius - A Village Romeo and Juliet; Jean Sibelius - Alla marcia da: Karelia Suite
Royal Philharmonic Orchestra, conducted by Sir Thomas Beecham

EAC | FLAC | Image (Cue&Log) ~ 323 Mb (incl 5%) | Mp3 (CBR320) ~ 185 Mb (incl 5%) | Scans included
Genre: Classical | Label: AURA | # AUR 142-2 ADD | Time: 01:11:54

Beethoven reputedly wasn't Beecham's favorite composer, but you wouldn't know it from this performance; it's exceedingly well conceived, highly energetic, and has that unique Beecham sparkle to it. The fillers also are delightful. All recorded in Ascona, Switzerland in 1957.
Emma Kirkby, Christopher Hogwood - Handel, Arne, Lampe, Haydn & Mozart (1998)

Emma Kirkby, Christopher Hogwood - Handel, Arne, Lampe, Haydn & Mozart (1998)
EAC | FLAC (image+.cue, log) | Covers Included | 139:22 | 637 MB
Genre: Classical, Vocal | Label: Decca | Catalog: B000009DG1

Classical music is one of the greatest joys in life. Opera on the other hand, is often too melodramatic to stomach. But there is nothing more enchanting than an Aria. On this 2 CD set, Emma Kirkby sings in sweet exultation. Her voice expresses power and agility yet a limpid tranquility. Clarity is the greatest achievement of any musician. With the aid of precision accompaniment on period instruments, shameless perfection is delivered. She soothes the soul longing for beauty. Her marvelous Soprano is rendered on 25 tracks in this eclectic ensemble. If you are a champion of Handel or a devotee of Mozart, you should not hesitate to purchase this CD. Emma Kirkby will have you beaming with delight and pining for more. Surely it will be one of the brightest of your collection.

Carlo Ipata - Handel: Catone, HWV A7 (2017)  Music

Posted by Pisulik at Feb. 22, 2017
Carlo Ipata - Handel: Catone, HWV A7 (2017)

Carlo Ipata - Handel: Catone, HWV A7 (2017)
Classical, Opera | MP3 CBR 320 kbps | 02:05:11 | 290 MB
Label: Glossa | Release Year: 2017

By bringing Catone to disc, Carlo Ipata is celebrating the pasticcio, especially those curated by George Frederic Handel, as is the case wtih this new Glossa release. In a co-production involving the Fondazione Teatro di Pisa and the Handel Festpiele Halle, Ipata brings a further slant on Handel's oepratic career in London: whilst being busy with running the second Royal Academy of Music and writing his own operas, the composer was striving to present London audiences with selections from the best of recent Italian operas by other composers - all at the same time as giving his star singers the opportunity to show off early in the opera company's season. One result was Catone in 1732, with music by Leo, Hasse, Vivaldi, Vinci, Porpora as well as by Handel himself: company members included Senesino, Anna Maria Strada del Po and Antonio Montagnana.

Handel - Agrippina (Nicholas McGegan) [1991]  Music

Posted by Vilboa at Feb. 21, 2017
Handel - Agrippina (Nicholas McGegan) [1991]

Handel - Agrippina (Nicholas McGegan) [1991]
Classical | Harmonia Mundi 907063.65 | TT: 72.22+70.53+62.38 | EAC (FLAC, cue, log) | Covers | 839 Mb

Agrippina (HWV 6) is an opera seria in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. Composed for the 1709–10 Venice Carnevale season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with Pope Clement XI.

Handel - Partenope (Christian Curnyn) [2005]  Music

Posted by Vilboa at Feb. 20, 2017
Handel - Partenope (Christian Curnyn) [2005]

Handel - Partenope (Christian Curnyn) [2005]
Classical | Chaconne CHAN 0719(3) | TT: 77.57+55.49+56.29 | EAC (FLAC, cue, log) | Covers | 844 Mb

Partenope is mature Handel, and belongs in the top flight of his stage works. A comedy from 1730, which was first rejected as too frivolous by the Royal Academy of Music in London, the text had been set 20 years earlier by Caldara for an opera that had been a major influence on the young Handel. The tone is light and the action - all disguises and cross-dressing, with everyone ending up with the right partner - is swift moving; there are relatively few extended arias but a number of ensembles, as well as the obligatory sinfonia and march for the battle scene at the beginning of the second act. This performance under Christian Curnyn hits the right spot from the very start. There are no outstanding performances, but a whole collection of first-rate ones - Rosemary Joshua in the title role of the queen with so many admirers, Hilary Summers as the princess Rosmira, Kurt Streit as Emilio, the one prince who doesn't get the girl. (Andrew Clements)
Nicholas McGegan, Philharmonia Baroque Orchestra - Handel: Susanna (1990)

Nicholas McGegan, Philharmonia Baroque Orchestra - Handel: Susanna (1990)
EAC | FLAC (image+.cue, log) | Covers Included | 02:58:22 | 970 MB
Genre: Classical, Choral | Label: Harmonia Mundi France | Catalog: 907168

George Frideric Handel (1685 - 1759): Susanna. Oratorio. First performed 1749. Complete version including all the music that Handel later deleted. Performed by Lorraine Hunt and Jill Feldman, soprano, Drew Minter, countertenor, Jeffrey Thomas, tenor, David Thomas and William Parker, bass; the U.C. Berkely Chamber Choir; the Philharmonia Baroque Orchestra, San Francisco, conducted by Nicholas McGegan. Recorded live in September, 1989, at the Hertz Hall at the University of California.

Handel - Ottone (Nicholas McGegan) [1992]  Music

Posted by Vilboa at Feb. 20, 2017
Handel - Ottone (Nicholas McGegan) [1992]

Handel - Ottone (Nicholas McGegan) [1992]
Classical | Harmonia Mundi 907073.75 | TT: 70:44+64:07+54:56 | EAC (FLAC, cue, log) | Covers | 854 Mb

With over 30 of Handel’s operas awaiting a first CD recording, it seems indecent luxury to find two splendid new recordings of Ottone, a work in the vanguard of the German Handel opera revival in the 1920s, but long since relegated to obscurity. Both benefit immensely by being based on stage performances, Nicholas McGegan’s from the Göttingen Handel Festival, of which he is artistic director, Robert King’s from a production that successfully toured the UK and Japan. Broadly speaking, McGegan’s reading is distinguished by a compelling sense of drama and a wonderful feeling for Handelian style, sometimes at the expense of tonal beauty; King’s is smoother, occasionally letting the dramatic impetus flag, but offering playing of consistent strength and fine shading. McGegan, however, fields the marginally more convincing team of singers, led by Drew Minter, whose pure bright tone, breathtaking coloratura and ardent delivery give pleasure at every hearing; Bowman, for King, sings with sensitivity but his mannered tone and technical limitations are serious drawbacks. Conversely, Dominique Visse, for King, with his inimitable reedy timbre and impeccable musicianship, is matchless as Ottone’s rival in kingship, Adelberto, fine as Ralf Popken is for McGegan. Of the female roles, Claron McFadden produces a stream of radiant tone as Teofane; but so does Lisa Saffer, who, in addition, offers a wider range of colour. Both sets are recommendable, but Minter’s charismatic performance, Saffer’s deeper perceptions and the inclusion of arias Handel wrote for later revivals tip the balance in favour of McGegan. Whatever your choice, it’s an opera not to be missed. (Antony Bye)

Handel - Riccardo Primo (Paul Goodwin) [2008]  Music

Posted by Vilboa at Feb. 20, 2017
Handel - Riccardo Primo (Paul Goodwin) [2008]

Handel - Riccardo Primo (Paul Goodwin) [2008]
Classical | Deutsche Harmonia Mundi 88697174212 | TT: 42.31+74.29+59.30 | EAC (FLAC, cue, log) | Covers | 861 Mb

Rewritten with enhanced regal bravado for the coronation of George II, Handel's 1727 opera of Richard the Lionheart is a rarely heard but rewarding enterprise. Goodwin conducts a fervent Basel Chamber Orchestra in this new scholarly version, fully exploiting the dramatic twists of the King's quest to reclaim his abducted fiancée, Constanza. Amid much nice character-building from the decent cast, Nuria Rial enjoys Constanza's luxuriant lines, while Lawrence Zazzo revels as the Lionheart. Riccardo's Act III revenge aria is truly ominous, furiously driven by Goodwin and some innovative brass writing. (The Times)