It may be rash to claim that the French pianist Monique Haas (1909-1987) never made a bad recording, but you won't find one among her complete DG sessions. Dating from the late 1940s up to 1965, the recordings have been transferred from scratch, and they sound remarkably well for their respective vintages. The repertoire is diverse and unhackneyed, ranging from Mozart piano duets (with Heinz Schröter) and K. 449 and K. 488 concertos, rare Haydn gems (the E-flat Arietta with Variations and the Fantasia in C major), and the Stravinsky Capriccio, to Hindemith's Concert Music for piano, brass and harps (with the composer conducting), and a substantial sonata by Marcel Mihalovici (the pianist's husband) featuring violinist Max Rostal.
Black-Forest-born Arno Haas released his debut album Magic Hands in 2013 receiving high accolades by critics. His sophomore album Back To You is scheduled for release on October 22, 2015 on Mochermusic. The album starts full throttle with the title song Back To You. Perfectly arranged by Tom Saviano supports the brass group saxophonist Arno Haas. A treat for fans of cultivated jazz music with the emphasis on horns.
The highly anticipated new recording from the Gramophone Recording of the Year winners in 2011. Two years on from their award winning Dvorak album, the Pavel Haas Quartet turn their attention to Schubert’s two late masterpiece. The String Quartet in D minor has a sort of dark cipher encoded within. The title “Death and the Maiden” reflects the quotation from Schubert’s eponymous song in the second movement. The theme of death is also underlined by other quotations and the choice of the key of D minor, which according to the period definition is characterised by “heavy-hearted womanliness, spleen and foreboding”.
‘Glowing' is also an apt word with which to describe this account of the Seventh. Very much sue generis, this is arguably the most purely beautiful account of the symphony there has ever been on record.
Richard Osborne, The Gramophone, 1997