A quinze ans, Harry entre en cinquième année à Poudlard, mais il n'a jamais été aussi anxieux. L'adolescence, la perspective des examens et ces étranges cauchemars…
Does music add substance to words or is music inspired by them? Songs of departure and farewell are deeply rooted in the great tradition of British choral music, nourished by ancient myths of testing journeys, wayside transformations and homecomings. The transcendent nature of music and the power of poetry to challenge and alter perceptions of reality – harnessed by English composers over many centuries – flow through a programme that invites contemplation of life and death, of love and loss, creation and eternity. In a journey covering six centuries of musical history, The Sixteen performs a cappella anthems with powerful texts by writers as varied as Edmund Spenser, Christopher Fry and W.H. Auden.
The Indian Queen was one of Henry Purcell's final works and may in fact have been left unfinished at his death. Defining the state of the text is complicated by the fact that the work is a so-called semi-opera, a defunct form that mixed spoken dialogue, singing, and dance; the function of the surviving music isn't always totally clear. For those reasons, the work hasn't often been recorded. Many of the individual numbers are splendid examples of Purcell's style, with his sparkling ensemble dances and exuberantly rhythmic major-key tunes that seem to shake off dour minor introductory sections.
This Rhino-issued box set features five of the late great singer/songwriter's best albums in their entireties, including Heads and Tales (1972), Sniper and Other Love Songs (1972), Short Stories (1973), Verities & Balderdash (1974), and On the Road to Kingdom Come (1976).
Rockbird was Harry's second solo album, and came four years after the split of Blondie in 1982. Harry had largely put her music career on hold during the mid-1980s in order to look after boyfriend Chris Stein who had been diagnosed with a serious illness. The album was produced by Seth Justman, a key member of the J. Geils Band. Released in November 1986, there were four variations of the album artwork with the lettering in either green, orange, pink and yellow (with slight variations due to printing techniques).