A beautifully-recorded album from master violinist Gidon Kremer and his Kremerata, Baltica, spanning a wide range of music, all of it broached with conviction. Hungarian composer and pianist Stevan Kovacs Tickmayer from the Serbian province of Vojvodina has written eight hymns in commemoration of the film director Andrei Tarkovsky, an artist he has called a homo moralis whose remarkable visions cast a small but significant light on the tragic world of the previous century. Georgian composer Giya Kancheli contributes a silent prayer for two of his most important musical associates: the cellist and conductor Mstislav Rostropovich and the violinist Gidon Kremer.
Here are three 20th-century violin concertos written within a 30-year period in three totally different styles, played by a soloist equally at home in all of them. Bernstein's Serenade, the earliest and most accessible work, takes its inspiration from Plato's Symposium; its five movements, musical portraits of the banquet's guests, represent different aspects of love as well as running the gamut of Bernstein's contrasting compositional styles. Rorem's concerto sounds wonderful. Its six movements have titles corresponding to their forms or moods; their character ranges from fast, brilliant, explosive to slow, passionate, melodious. Philip Glass's concerto, despite its conventional three movements and tonal, consonant harmonies, is the most elusive. Written in the "minimalist" style, which for most ordinary listeners is an acquired taste, it is based on repetition of small running figures both for orchestra and soloist, occasionally interrupted by long, high, singing lines in the violin against or above the orchestra's pulsation.
Recorded in 2001 (Mahler) and 2004 (Shostakovich), this 2007 ECM release provides a wonderful insight into Gidon Kremer's perspective on two composers who are clearly close to his heart. The performances are both fascinating, and the Kremerata Baltica give their not-inconsiderable all in both works.
Nonesuch Records releases The Art of Instrumentation: Homage to Glenn Gould, by violinist Gidon Kremer and his Kremerata Baltica chamber orchestra, on September 25, 2012, which would have been Gould’s 80th birthday. The album comprises 11 pieces and arrangements by contemporary composers that quote from or are inspired by works, mostly by Bach, that Gould famously recorded during his career; two Arnold Schoenberg pieces also are drawn upon in one piece.
Five-CD limited-edition box set, issued in time for the 30th anniversary of the Austrian chamber-music festival. “Edition Lockenhaus” returns long out-of-print titles to the catalogue, with some of the finest musicians of the New Series, including Gidon Kremer, Kim Kashkashian, Heinz Holliger, Thomas Zehetmair, Thomas Demenga, Robert Levin, Eduard Brunner and many more. Gidon Kremer: “The artistic atmosphere in Lockenhaus soon has everybody speaking on the same wavelength.” The set opens with previously unreleased recordings – from 2001 and 2008 – with Sir Simon Rattle and Roman Kofman conducting Kremerata Baltica in revelatory performances of Richard Strauss’s “Metamorphosen” and Olivier Messiaen’s “Trois petites Liturgies de la Présence Divine”: the committed interpretations convey the spirit of Lockenhaus. Discs two through five focus on music of César Franck, André Caplet, Francis Poulenc, Leos Janácek, Igor Stravinsky, Dmitri Shostakovich and Erwin Schulhoff. Original liner notes, an interview with Kremer, and new texts complete a very special edition.