At this 1974 concert baritonist Gerry Mulligan and trumpeter Chet Baker had one of their very rare reunions; it would be only the second and final time that they recorded together after Mulligan's original quartet broke up in 1953. Oddly enough, a fairly contemporary rhythm section was used (keyboardist Bob James, vibraphonist Dave Samuels, bassist Ron Carter, drummer Harvey Mason, and in one of his first recordings, guitarist John Scofield). However, some of the old magic was still there between the horns, and in addition to two of Mulligan's newer tunes, this set (the first of two volumes) also includes fresh versions of "Line for Lyons" and "My Funny Valentine."
"Carnegie Hall Concert" is a compilation of material from the original CTI releases: "Carnegie Hall Concerts, Volume 1 and 2".
Recorded live at Carnegie Hall, New York, November 24, 1974.
was 's first concert performance in front of an audience. Performed on June 18, 1971, it was released years later, in 1996, as an album. This album has seventeen live songs. Some songs included: , , , , , , , , , , and ". , a friend of 's, accompanied her on , , and . Before she started singing, an old saying went into her mind, "How did the man get to Carnegie Hall?" Out loud she said the answer "Practice man, practice!" Then she performed.
The new rules Keith Jarrett has made for himself in solo performance are firmly in play on the two-disc Carnegie Hall Concert, recorded in the Isaac Stern Auditorium in September of 2005. Those who found his earlier solo recordings – from Vienna and Köln to La Scala – to be compelling might be a bit disconcerted at first, because of the completely different approach Jarrett has taken to improvising. His concert is divided into shorter segments, or parts, and often changes direction numerous times in the course of a single piece. Indeed, the impression is given almost of composed songs where harmony, melody, and rhythm are pulled to the breaking point and reassembled along new lines.
"…I tend to agree that there are several cuts where the mids were a bit loud but maybe MFSL was just being faithful to the original master tape. But this sacd version is clearly superior to the 1996 cd version. To sum up, my purchase of this version is really justified." ~sa-cd.net
Reissue. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You".