5 CD's exclusive collection by Duth rock band George Baker Selection released in 2008 on EMI Music Netherlands BV, includes 100 tracks…
The Dutch guitarist was part of a mini dutch invasion of the early 1970's (along with Tee Set and Shocking Blue) and hit with "Little Brown Bag", but it wasn't until 1975 that he hit big with "Una Paloma Blanca", adopted by the disco set before disco went mainstream. This disc compiles his best material on a single volume.
This is an excellent EU released 3cd set of George Baker Selection. Many of you are familiar with their biggest hit, "Little Green Bag".
Chet Baker was quite busy during three days in August 1965, recording five LPs worth of material with tenor saxophonist George Coleman (formerly with Miles Davis), pianist Kirk Lightsey, bassist Herman Wright and drummer Roy Brooks. Baker, sticking to flugelhorn, is heard in fine form on this CD reissue, which (along with Stairway to the Stars and Lonely Star) brings back all of the music in full; each CD also contains all of the liner notes from the five original albums. For this particular reissue, the quintet performs six likable originals by Richard Carpenter, Jimmy Mundy's "Sleeping Susan," three Tadd Dameron tunes, and a Sonny Stitt blues.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. George Adams and Don Pullen knock it out of the park on this one – finding great company in each other's presence, and really moving things forward in the process! The set begins with a long track titled "Mingus Metamorphosis", and that really sums up the spirit of the record – an 80s reworking of all the ideas that the players had learned from Mingus, but with an individual, personal sense that's all their own – and very different than some of the more standard modes of the Mingus Dynasty group that continued the legacy in a more direct manner. Adams is bold one minute, lyrical the next – and plays both tenor and flute – alongside Pullen on piano, Cameron Brown on bass, and Dannie Richmond on drums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A firey session from the quartet of George Adams and Don Pullen – a set that has the group stretching out in some of their most spiritual modes, yet still finding plenty of time to swing as well! Adams is tremendous on tenor – a very fresh voice in the post-Coltrane world, with phrasing that is all his own – even more amplified when he switches to flute – and Pullen's got this ability to go outside, and show his knowledge of the darker corners of the keyboard – yet never let that side of his playing overwhelm things, possibly because the rhythmic accompaniment from Cameron Brown on bass and Dannie Richmond on drums is so strong. Tracks are all long, and very individual – with the group in high spirits on the titles "Earth Beams", "Magnetic Love Field", "Saturday Nite In The Cosmos", "More Flowers", and "Dionysus".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. There may never be another Chet Baker, but on this particular night in Zagreb, poor Baker was not playing his best: His chops are weak, and his voice is strained and shallow. Still, these four duos, with longtime collaborator, guitarist Philip Catherine, have their rewards, such as the lengthy, substantial, and melodic solos by the guitarist.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Solidly soaring work from tenorist George Adams – recording live here with pianist Don Pullen, one of his best musical partners during the 80s! The album's got a bit more of a bite than some of the pair's studio sessions – a bit straighter overall, but recorded with a nice degree of energy, and some long tracks that really let both players open up nicely – in a combo that also features John Scofield on guitar, Cameron Brown on bass, and Dannie Richmond on drums. The inclusion of Scofield's guitar changes up the group's sound in a nice way – adding in some more chromatic elements that really stand out – and titles include "IJ", "Flame Games", "Song Everlasting", and "Forever Lovers".
This release from the admired Westminster Cathedral Choir demonstrates the splendours of the liturgy in the at-once solemn and joyful period of Lent. Masterworks from the Renaissance—familiar from Westminster Cathedral Choir’s previous award-winning recordings—alternate with works by former organists of the Cathedral (all themselves masters of liturgical composition) and are linked by the plainchant which is at the spiritual heart of the music. Hearing the music like this in context—and recorded in the unique acoustic of the Cathedral—perfectly replicates the live experience for the listener.