Fastway is the first album by the band, Fastway. An '80s British hard-rock/heavy metal band originally formed by ex-Motorhead guitarist "Fast" Eddie Clarke and UFO bassist Pete Way, thus the name FAST-WAY. Unfortunately Pete left before the first recording for what turned out to be a very short stint with Ozzy Osbourne. Fastway also featured ex-Humble Pie drummer, Jerry Shirley and a young singer, David King. King went on to form Katmandu.
It's amazing how much a band can change in just three albums. "Waiting For the Roar," despite it's heavy title, is no where near as heavy, as British, or as original as the band's debut. Waiting For The Roar a typical metal album from this time. Maybe there is too much synth… but hey, that's what was in style at the time.
All Fired Up is the second album by the hard rock band Fastway. It was released in 1984. The follow-up to the debut came only a year later and followed in similar tracks to the original. Like the debut, Kiss/Jimi Hendrix producer Eddie Kramer was brought in to produce. Together they created an album with just a bit more depth than the debut. Some songs had a strong blues-rock vibe, such as "Telephone" and "Station". Others have hard driving Led Zeppelin vibe. "Hurtin Me" in particular had a very Zeppelin-esque sound.
Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."
2009 album from the Swiss Hard Rockers. Produced by Rick Chicky (Aerosmith/Rush/etc), the band have created a collection which is able to combine emotional Rock songs with haunting mainstream elements in perfect harmony. An album which convinces with rough, dynamic and hasty attitudes but stands also for experience, maturity and composure. Many of the tracks on Need to Believe are proof that Gotthard are an amazing band without any compromises. Songs as the diverse and dazzling 'Shangri La' or the Rock hymn 'Need to Believe' demonstrate the all-embracing contribution the band makes to the scene.