is a pretty amazing, and too long overlooked set from – here final album for – and a beautiful mix of soaring soul sounds from one the most unique, emotionally inflected and diverse soul vocalists of her era! 's in prime mode here – working with jazzy arrangements by and , adding her unique, grit-inflected soul chanteuse vocals to a smoother mix of instrumention that creates a perfect counterpoint that took her way past her earlier work!
This Collectables compilation packages Esther Phillips' first two LPs for Atlantic, 1965's And I Love Him! and the following year's Esther Phillips Sings. Gradually switching from an R&B chart name to a pop singer with a subtle power over the blues and jazz, Phillips didn't hit the charts much during the year ("And I Love Him" was the big exception), but she did record great versions of some solid material: "Shangri-La," "It's All Right With Me," "Every Time We Say Goodbye," and others. The sound is solid as well, leaving this collection as a great next step after the Atlantic wrap-up, The Best of Esther Phillips (1962-1970).
This two-disc set from Collectables features a pair of out of print Esther Phillips LPs: The Country Side of Esther Phillips and Set Me Free, both originally issued on Atlantic Records. Highlights among the 36 tracks include "I Really Don't Want to Know," "Crazy Love," "Am I That Easy to Forget," and "Catch Me I'm Fallin'."
This reissue from Cherry Red/Soul Music features a pair of LPs by singer Esther Phillips, You've Come a Long Way, Baby and All About Esther Phillips, originally issued in 1977 and 1978. Highlights among the 17 tracks include "Into the Mystic," "You Think of Him (You Think of Her)," and "If I Fall in Love by Morning."
This 1976 Kudu date under Esther Phillips' name is notable for two major reasons, and both of them are Joe Beck. While Creed Taylor produced the date, all of the sets arrangements were done by Beck, who wove an entire band's sound around the smoking, soulful grooves of his guitar. His playing is the other reason this set is so memorable: Beck is at his most inspired and fluidly funky; he is present everywhere in the mix but nonetheless crafts the strengths of the ensemble around Phillips' unusual voice.
Originally released in 1974, Performance is the fourth of seven albums that vocalist Esther Phillips recorded for Kudu, an offshoot of Creed Taylor's CTI label. Arranged and conducted by Pee Wee Ellis with assistance from Eugene McDaniels and Taylor, the session assembles a celebrated choice of soul, fusion, and mainstream jazz musicians including, Bob James, Richard Tee, Hubert Laws, Bernard Purdie, Pepper Adams, and Michael Brecker.
With few exceptions, greats who established themselves during soul's golden era were not well served by the disco era, when arrangements and material often poorly suited their abilities. Such was the case with the final two albums by , (1979) and (1981), here combined onto one CD with historical liner notes.
Recorded in late 1972, was the follow-up to nominated . Producer assembled a stellar cast of musicians including , , , , , and . A great choice of repertoire and superb arrangements from and melded perfectly with 's smoky vocals to produce one of the finest albums of her career. Both critics and NARAS voters took note, the latter awarding a second nomination for this classic.