Corey Goode elaborates upon what he learned about the life and demise of Maldek and Mars. What we now know as the asteroid belt was once a super-earth planet with a thriving advanced civilization. Conflict and war led to the destruction of this once great world and its refugees fled to the last remaining vestige of life in the solar system, Earth. What was once only uttered in the Law of One circles is now being revealed to the public through the slow drip of partial disclosure.
A mere 16 years after Erich Kunzel and the Cincinnati Pops recorded their now-classic Christmas with the Pops, Christmastime Is Here is their 2006 follow-up. It sticks to the same basic formula: a mix of orchestral, choral, and solo numbers performed by the Indiana University Singing Hoosiers (a Kunzel favorite, succeeding the original's May Festival Chorus), the School for Creative and Performing Arts Children's Choir (who sang on the original, though presumably with a different roster), and an entirely new crop of soloists. While the original relied on classic veterans such as Rosemary Clooney and Doc Severinsen, Christmastime Is Here makes use of hip jazz vocalists (and, not coincidentally, Telarc recording artists all) Ann Hampton Callaway ("I Wonder as I Wander"), Tierney Sutton ("I'll Be Home for Christmas"), Tony DeSare ("The Christmas Song"), and John Pizzarelli (""Silver Bells") as well as British sextet the King's Singers ("Silent Night").
»This recording is a true marvel!« ~Fanfare
…Kunzel's Ruslan and Ludmilla overture is suitably festive, even if it doesn't quite achieve the breathless intensity exhibited by Bernstein or Pletnev. But then, being "definitive" isn't the point of this album–enjoyable music-making is, and in that respect it's a triumph. Especially so as the Cincinnati Pops plays masterfully and with great enthusiasm throughout the program. (Listen to the bold trombones in Mussorgsky's Polonaise or to the singing strings in Spartacus.) Telarc captures it all in its signature vivid, high-impact sound. Yes, I know you already have a couple of Russian favorites discs in your collection, but this new Telarc release is special enough that you'll want to make room for it.
The production and video direction are by British film-maker Ken Russell who puts his own stamp on the production. Russell told an interviewer he felt the plot was "silly" so he turned Marguerite into a young nun, eliminated the Walpurgis Night ballet, had Marguerite use sign-language for Valentin's deaf-mute children, and had Mephistopheles disrespectfully urinating in the stoup in church. However, the overall effect is visually engrossing, the vivid sets and costumes by Karl Toms are effective. And the singing is outstanding. Tenor Francisco Araiza handles the title role with confidence. Ruggero Raimondi, while he may not have the impressive lower register of many devils of the past, is a superb actor. Soprano Gabriela Benackova is in magnificent voice as the innocent Marguerite, and other major roles are impressively sung.