Japanese release featuring modern eclectic Japanese acts covering the finest that German electronic Pioneers Kraftwerk ever created. Includes Buffalo Daughter doing the legendary 'Autobahn', plus interpretations of 'It's More FunTo Compute' and 'Showroom Dummies'.
Willie Nelson joined Ray Price's Cherokee Cowboys in 1961, the first step in a lifelong friendship between the two men. From that point on, the pair never fell out of touch. At the height of his superstardom in 1980, Nelson cut a duet album with Price called San Antonio Rose, the first of three joint efforts they'd cut over the years. Whenever the pair got together, they'd sing the old songs, Western swing standards and honky tonk classics from the '50s and '60s – the songs that form the core of For the Good Times: A Tribute to Ray Price, a salute Willie delivered three years after Price's 2013 death.
For this tribute album, 21 bands from all continents have gathered and have recorded their favorite Pink Floyd songs. All these tracks are much more than just a copy of the original, each band has added its own unique spirit to give the songs a totally new perspective. Besides the all-time classics such as 'Another Brick In The Wall', 'High Hopes', 'Wish You Were Here', 'Comfortably Numb' and 'Shine On You Crazy Diamond', the album also contains some of the earlier more psychedelic songs from the band's first decade, e.g. 'Interstellar Overdrive' and 'One Of These Days'.
Gothic and industrial superstars bring a whole new level of psychedelic spookiness to the songs of Pink Floyd, featuring performances by Nik Turner (of Hawkwind), Chrome, Psychic TV, Spahn Ranch and more!
What happens when you take a master of progressive rock and an accomplished Nashville producer engineer, and put them together with a host of top-flight Nashville session players to reinterpret one of the most revered 70s prog double-albums? In the case of Spock s Beard drummer Nick D'Virgilio and producer engineer Mark Hornsby, you get Rewiring Genesis A Tribute To The Lamb Lies Down on Broadway, and it's fantastic. While the original featured layers of classic synthesizers (ARP, Mellotron, etc.), there's none of that fake string or choir stuff going on here. Besides rock guitar, bass, and Nick's great drumming (and tasteful lead vocal work), The Lamb is filled with real strings, huge vocal arrangements, horn sections, and even some accordion! Clearly, it's not attempting to simply re-record the classic, it's a fresh and beautiful sounding reinterpretation.