Deutsche Lastensegler

Deutsche Lastensegler an Allen Fronten (Waffen-Arsenal 42) (repost)  eBooks & eLearning

Posted by Димарик at Nov. 11, 2016
Deutsche Lastensegler an Allen Fronten (Waffen-Arsenal 42) (repost)

Deutsche Lastensegler an Allen Fronten (Waffen-Arsenal 42)
1978 | ISBN: 3790901725 | German | 52 Pages | PDF | 36 MB

Das Waffen-Arsenal Band 42: Deutsche Lastensegler an allen Fronten  eBooks & eLearning

Posted by Oleksandr74 at Aug. 25, 2010
Das Waffen-Arsenal Band 42: Deutsche Lastensegler an allen Fronten

Heinz J. Nowarra - Deutsche Lastensegler an allen Fronten
Podzun-Pallas Verlag | 1978 | ISBN: 3790900648 | German | 52 pages | PDF | 36.36 MB
Das Waffen-Arsenal Band 42

DFS 230, DFS 331, Go 242, Go 345, Ka 430, Me 321, Ju 322

Die Sturm und Lastensegler: Go 242, Go 244, Go 345, P 39, Ka 430 (repost)  eBooks & eLearning

Posted by Димарик at Nov. 3, 2015
Die Sturm und Lastensegler: Go 242, Go 244, Go 345, P 39, Ka 430 (repost)

Die Sturm und Lastensegler: Go 242, Go 244, Go 345, P 39, Ka 430 (Luftfahrt Monographie LS2)
1956 | ISBN: No | German | 173 Pages | PDF | 77 MB

Deutsche Nachschubflugzeuge  Video

Posted by Historyarm at June 26, 2011
Deutsche Nachschubflugzeuge

Deutsche Nachschubflugzeuge
BDDRip | 2010 | German | 00:56:00 | DivX 5 - 1137 Kbps | 512 x 384 | 25 fps | AC3 128 kbps avg | 520 Mb
Genre: Documentary

Bei der Junkers JU 52 handelte es sich ursprünglich um die Entwicklung eines einmotorigen Frachtflugzeuges, das in den Gegenden mit schlechter Infrastruktur große Frachtmengen befördern sollte. Die Entwicklung der JU 52 konnte seitens des Reichswehr-Ministeriums dahingehend beeinflusst werden, dass militärische Belange bei der Konstruktion gleich mitberücksichtigt wurden. Die Grundauslegung bestand aus einem statisch hoch beanspruchbaren Aufbau, einem geteilten Fahrgestell, das einen durchgehenden Raum zur Aufhängung von Bomben ermöglichte, einer besonderen Unterteilung des Frachtraums und einer Ladeluke an der Rumpfoberseite, die den nachträglichen Einbau eines MG-Standes ermöglichte. Die JU 52 diente der deutschen Luftwaffe im zweiten Weltkrieg als Transportmaschine und überzeugte besonders wegen ihrer niedrigen Landegeschwindigkeit. Der Lastensegler Messerschmitt ME 321 „Gigant“ wurde 1940 in Auftrag gegeben, um im Rahmen des „Unternehmen Seelöwe“ Truppen und Kriegsmaterial nach England zu transportieren. Es sollten 200 bewaffnete Soldaten oder ein Panzerkampfwagen IV transportiert werden können. Im Februar 1941 absolvierte die ME 321 ihren Jungfernflug. Mangels leistungsstarker Flugzeuge musste sie von drei ME 110 geschleppt werden, was aber zu zahlreichen schweren Unfällen führte. Deshalb wurde 1942 extra die ME 111Z als Schleppflugzeug entwickelt. Die motorisierte Version des Lastenseglers ging im April 1942 erstmals mit vier Motoren an den Start. Es zeigte sich, dass dieses Modell zu schwach motorisiert war, daher hatte die ME 323 V2 sechs Motoren.

Luftfahrt Monographie LS2: Die Sturm - und Lastensegler  eBooks & eLearning

Posted by Oleksandr74 at Aug. 28, 2010
Luftfahrt Monographie LS2: Die Sturm - und Lastensegler

Karl R. Pawlas - Die Sturm - und Lastensegler
Publizistisches Archiv | 1956 | ASIN: B000ZBYUMS | German | 173 pages | PDF | 70.9 MB
Luftfahrt Monographie LS2

Go 242, Go 244, Go 345, P 39, Ka 430. Eine Dokumentation.
Jordi Savall - Giulio Caccini (c. 1550-1618) - Le Nuove Musiche (1984) {Deutsche Harmonia Mundi GD 77164}

Jordi Savall - Giulio Caccini (c. 1550-1618) - Le Nuove Musiche (1984) {Deutsche Harmonia Mundi GD 77164}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 300 dpi (jpg) -> 53 Mb | 5% repair rar
© 1984, 1990 Deutsche Harmonia Mundi / BMG Classics | GD 77164
Classical / Renaissance / Baroque

Giulio Caccini (c.1550-1618) was born in Rome, and soon took up an important musical post in Florence under the Medicis. He was widely famous, and apparently a very controversial figure, having boasted of inventing the solo chordally-accompanied song. His two collections entited Nuove Musiche of 1602 & 1614 are certainly important to this development, and Caccini was one of a handful of composers to first work in this new style. However, it had become common practice to perform older madrigals in this way via intabulations, so any notion of invention is hazy at best. Nonetheless, Caccini's detailed ornaments given to the printed vocal part are a landmark in composition.
Stravinsky - Petrouchka (original 1911 version) - LSO, Abbado (1981) {Deutsche Grammophon 400 042-2}

Stravinsky - Petrouchka (original 1911 version) - LSO, Abbado (1981) {Deutsche Grammophon 400 042-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 145 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 300 dpi (png) -> 65 Mb | 5% repair rar
© 1981 Polydor / Deutsche Grammophon | 400 042-2
Classical / Early 20th Century

Abbado's splendid Petrushka was among the very first CDs to be reviewed in these pages. Robert Layton extended a warm welcome in March 1983. The fact that it appeared with no coupling didn't seem to bother him unduly at the time; I've no doubt that it would today. … The Petrushka is full of sensitive and dramatic detail: I don't know of a more intense account of the poignant scene in Petrushka's tiny backstage cell—all shadow and nervous apprehensiveness. Nor have we seen any more clearly into the elaborate texturing of the outer tableaux (this is the more lavishly scored original version); the tactility of the inner-part writing is constantly arresting. Vividly and imaginatively characterized, these performances are shining examples of Abbado's best work with the LSO. (from the review of the Mussorgsky/Stravinsky reissue DG 423901)
Arvo Part - Tabula Rasa (1999) {Deutsche Grammophon 00289 479 0569}

Arvo Pärt - Tabula Rasa (1999) {Deutsche Grammophon 00289 479 0569}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 264 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 300 dpi (jpg) -> 49 Mb | 5% repair rar
© 1999 Deutsche Grammophon | 00289 479 0569
Classical / Contemporary Classical

Estonian composer Arvo Pärt is best known for the mystical minimalist style he developed in the late 1970s. While pivotal works from this period are included here, this disc's special value is the glimpse it gives of where Pärt was coming from before he simplified his style. His Symphony no. 3 from 1971 contains many premonitions of the austere, quasi-religious music to come: unaccompanied Gregorian chant-like melodies, for example, and the punctuation of bells. But the Symphony also has a wider range of expression, color and dramatic contrasts, sharing a seriousness of purpose with Pärt's later works, but in a manner more akin to Shostakovich.
Bartok - Piano Concertos Nos. 1 & 2 - Pollini, CSO, Abbado (1979) {Deutsche Grammophon 415 371-2}

Bartok - Piano Concertos Nos. 1 & 2 - Pollini, CSO, Abbado (1979) {Deutsche Grammophon 415 371-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 211 Mb | MP3 @320 -> 119 Mb
Full Artwork @ 300 dpi (png) -> 79 Mb | 5% repair rar
© 1979 Polydor / Deutsche Grammophon | 415 371-2
Classical / Concertos

Bartók's Piano Concertos are among the most difficult ever written; only a piano virtuoso of amazing dexterity, along with a virtuoso orchestra, can play them. Maurizio Pollini is that pianist, and the Chicago Symphony is that orchestra. The pianist's command of the music is consistently impressive, and Claudio Abbado leads the orchestra in extremely close sympathy with the pianist. The result is a set of performances that would be ideal except for two factors. One is that this LP reissue contains only two Concertos, when all three can fit on one CD. The other is that the recording balance so undervalues the orchestra that you can't hear everything. I'd love to hear these artists rerecord the same music with better engineering. –Leslie Gerber
Beethoven - Symphonies Nos. 6, 7 & 8, Overtures (1993) {Karl Böhm, VPO} {2CD Deutsche Grammophon 437 928-2 rec 1969-72}

Beethoven - Symphonies Nos. 6, 7 & 8, Overtures (1993) {Karl Böhm, VPO} {2CD Deutsche Grammophon 437 928-2 rec 1969-72}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 619 Mb | MP3 @320 -> 306 Mb
Full Artwork @ 300 dpi (png) -> 30 Mb | 5% repair rar
© 1969-72, 1993 Polydor / Deutsche Grammophon | 437 928-2
Classical / Symphonies

Karl Böhm's Beethoven is, on balance, the best complete cycle available from Deutsche Grammophon. This will come as a surprise to many, given the fact that the label relentlessly promotes performances by Herbert von Karajan (three complete cycles!) and Leonard Bernstein, but for quality of playing, as well as superb sound, these versions are just about unbeatable. And at a "twofer" price, the complete set on three pairs of discs is a terrific value. –David Hurwitz