Essential: a masterpiece of Progressive rock music
German band HAZE's 1971 album Hazecolor-Dia is primarily remembered today for possessing an interesting album cover. The cover, which was designed by NINE DAYS' WONDER founder and singer Walter SEYFFER, featured a plastic transparency over a picture of the band to create a slide picture frame. Neat, huh? Copies of the original vinyl are quite expensive these days.
This album gathers highlights from Montserrat Figueras career for the Astrée, DHM, EMI and Alia Vox labels. 5 of the 35 tracks have already been reissued in a portrait album released in the 1990s by Astrée, La 'Voix de l Emotion'. Jordi Savall wanted to keep the same title for this much more comprehensive double album, in tribute to the late Montserrat Figueras, his wife and collaborator of 43 years. 35 year-career: 35 tracks a dazzlingly clear soprano voice, a line of the purest silk, as strong as it was delicate.
A man wakes up to find himself locked in a tiny, cramped concrete room, in which he can barely move. He doesn't remember why he is there and where he came from. He has a terrible stomach injury and is slowly bleeding to death. He begins to explore the narrow confines of his prison and crawls around the maze-like room, only to see a horrible vision of hell waiting for him at each end of the room. Finally he gives up on the struggle and collapses in exhaustion. Then he begins to remember images from his past. Clinging to these images he creeps forward with the last ounces of his strength and meets a woman in a place that stinks of rotting corpses.
The Choir of St John’s College, Cambridge, an exclusive Chandos artist, here presents its third release on the label. Established in the 1670s, the choir has a long and distinguished tradition of performing religious music and here offers distinguished interpretations of sacred works by Orlande de Lassus. Of its most recent release, Hear My Words: Choral Classics from St John’s (CHSA5085), The Telegraph wrote: ‘The boy treble voices bring lustre and freshness to the sonority and the singing throughout is stirring and polished.’