The two albums John Hartford recorded for Warner Bros. in the early '70s stand as two of the most influential and groundbreaking albums in modern country music. For 1971's Aereo-Plain, Hartford and fiddler Vassar Clements, dobroist Tut Taylor, guitarist Norman Blake and bassist Randy Scruggs played a set of mostly original tunes that fused the irreverent hippie aesthetic with the hallowed bluegrass tradition, thereby more or less singlehandedly inventing the "newgrass" genre. And 1972's Morning Bugle built on Aereo-Plain's breakthrough with a stripped-down line-up of Hartford, Blake and jazz bassist Dave Holland. This two-CD set contains both albums with eight unreleased bonus tracks-four from each session.
Pianist/vocalist Diana Krall pays tribute to the Nat King Cole Trio on her Impulse! set. In general, the medium and up-tempo tunes work best, particularly such hot ditties as "I'm an Errand Girl for Rhythm," "Frim Fram Sauce," and "Hit That Jive Jack." Krall does not attempt to directly copy Cole much (either pianistically or vocally), although his influence is obviously felt on some of the songs. The slow ballads are actually as reminiscent of Shirley Horn as Cole, particularly the somber "I'm Through With Love" and "If I Had You." Guitarist Russell Malone gets some solo space on many of the songs and joins in on the group vocal of "Hit That Jive Jack," although it is surprising that he had no other opportunities to interact vocally with Krall; a duet could have been delightful. Bassist Paul Keller is fine in support, pianist Benny Green backs Krall's vocal on "If I Had You," and percussionist Steve Kroon is added on one song. Overall, this is a tasteful effort that succeeds.
La Maison du Duke is proud to present a collection of unpublished recordings of Duke Ellington, which come from an important stock of Ellington archives (Clavié collection), acquired by the association, which only a few collectors had access to today . The CDs are reserved for members of the Maison du Duke association and are not intended to be marketed.
This album is quite unusual. Recorded shortly after Nat King Cole's death, pianist Oscar Peterson takes vocals on all but one of the dozen selections, sounding almost exactly like Cole. Peterson, who rarely ever sang, is very effective on the well-rounded program, whether being backed by a big band (arranged by Manny Albam) on half of the selections or re-creating both the spirit of the Nat King Cole Trio and his own group of the late '50s during a reunion with guitarist Herb Ellis and bassist Ray Brown.
A collection of 13 studio albums by highly acclaimed Denver, Colorado-based blues guitarist and singer-songwriter.. He is a multi-instrumentalist whose talents include the guitar, banjo, mandolin, harmonica, and vocals.