When I first started producing using FL Studio, I winged it. I knew absolutely NOTHING about music but I knew how to get what was in my head into a beat. I knew guys who took band classes and went to special music schools but at the time, I didn’t like learning the traditional style of music. It bored me to tears. So, I thought all music was boring, until I found an easy to follow system which taught me music theory in a day.
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On the fourth and final installment of the Perfect Beats series, there are plenty of meat-and-potatoes electro hits (like C-Bank's "One More Shot" and Afrika Bambaataa's "Looking for the Perfect Beat"), but there are also lots of oddities to add flavor.
More ass-shaking artifacts from the early-'80s dawn of electro, hip-hop, and freestyle. This might be the least distinct disc in the set, but in such great company, that's hardly a put-down. Of all the volumes, number 3 hews closest to the strictures of the compilation's subtitle, "New York Electro Hip-Hop + Underground Dance Classics, 1980-1985," though Heaven 17's "Let Me Go" came out of England and was in no sense underground.
Following the history lesson of volume 1, The Perfect Beats, Volume 2 reaches a little wider in its selection of electro-boogie, hip-hop, and freestyle oldies. This seems to be the set's unofficial "happy" disc–some of the fastest cuts are on this volume, as well as the lightest and most playful.