3CDs, 75 songs, and a set list that definitely lives up to the title – a collection that not only brings forth the best of Northern Soul from the glory days of the 60s, but also features lots of tracks from that time that have only been discovered in recent years too! Northern Soul isn't just a static concept on UK dancefloors – and instead has been driven by decades of record collectors and DJs with an ever-shifting ear for a groove – one that's lead to a nicely expansive version of the music that's really continued to thrill us with collections like this.
True Audiophile: Best of Groove Note is basically a fancy name for the Super Audio CD label sampler. Groove Note Records began releasing jazz and blues recordings in 2005. They've also expanded their vision and have begun to re-release rare tracks by vintage artists and look to genre-bending vocalists in order to showcase excellent music coming from the jazz and blues traditions.
This 15-track compilation gathers the best of Chicago soul singer Tyrone Davis' Columbia recordings from 1976 to 1981. Cut after Davis made his career defining soul hits for Dakar in the '60s, he scored a few more chart toppers including the upbeat, disco era tracks "Give it Up, Turn it Loose, "This I Swear," and "Get On Up (Disco)." But it's the lush, Quiet Storm material represented exceptionally well on "In the Mood," "Lets be Closer Together" and "Close to You," (not the Carpenters tune), that finds the vocalist in his true element. This is a good introductory retrospective from this romantic soul master and the perfect companion to 20 Greatest Hits which focuses on his Dakar material.
Early Byrd: The Best of the Jazz Soul Years contains a selection of nine tracks from Donald Byrd's mid-'60s recordings, bypassing his funkier fusions of the late '60s and early '70s. These songs – including such numbers as "Slow Drag," "Jellyroll," "Mustang," "Blackjack" and "The Dude" – feature the trumpeter at his grittiest and funkiest. Fans of his early hard bop years will still find enough improvisation here to make it interesting, while latter-day fans will find enough grooves. It's a solid introduction to one of Byrd's most prolific periods.
Don't ya just love 'em? Jazz critics that is. I was reading just the other day what a complete waste of Lou Donaldson's ample talents his late 60's boogaloo beat records are. Well I am sorry - but I think they're great! It's all an attitude - sure LD's blowing is represented better elsewhere - but that just isn't the point. What we have here is archetypal party music, be it a scene from a 1960's movie or the Wag one Monday in the late 80's bursting at the seems as "Rev. Moses" shifts up a gear.