Hearing an album of Bach arias sung by a countertenor may not be essential for every listener. Many of the high arias from Bach's cantatas weren't the kind of operatic pieces that called for a muscular male voice comparable to those that have tackled Handel's arias in similar collections, and Bach, at least much of the time, wrote for female vocalists. If you enjoy countertenor singing, however, this release by Canadian singer Daniel Taylor may be the Bach album of choice.
Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and musical director of the Bach Collegium Japan. He also teaches and conducts at Yale University and has conducted orchestras and choruses around the world. He was born in Kobe to parents who were both Christians and amateur musicians; his father had worked professionally as a pianist. Masaaki Suzuki began playing organ professionally at church services at the age of 12.
This 1990 Digital Recording is a must for Bach's CD Collector. Recorded using historic organs on which some were played himself by Bach. Marie-Claire Alain's playing here is more in historic and faithful to performance practice. The tempos and the registrations are well planned and the approach of playing is spontaneous and simple. The spirituality of the performer is so evident here.
"The grande dame of French organists, Marie-Claire Alain recorded the complete organ music of Bach not once, not twice, but three times. This collection is the third recording, made in the late '80s and early '90s, and recorded digitally by Erato. For this version, Alain had access to restored, historic organs, including some that Bach himself would have played…"
Since founding Bach Collegium Japan in 1990, Masaaki Suzuki has established himself as a leading authority on the works of Bach. He has remained their Music Director ever since, taking them regularly to major venues and festivals in Europe and the USA and building up an outstanding reputation for the expressive refinement and truth of his performances.
Immer wieder schicken sich Dirigenten aus der HIP-Szene an, Gesamtaufnahmen des erhaltenen Kantatenwerkes Johann Sebstian Bachs vorzulegen. Neben solchen, schnell die Aufmerksamkeit auf sich ziehenden Produktionen, die in der Regel aus dem Ausland stammen, gerät es immer mehr in Vergessenheit, dass es auch in Deutschland eine lebendige Bach-Tradition gibt und gab…Amazon.de