8th Day were a studio-based congregation on Invictus Records: the post-Motown label from Holland/Dozier/Holland. There wasn't an official group lineup, and the musicians and singers in 8th Day were featured in other Invictus/Hot Wax groups – most notably in 100 Proof (Aged In Soul) – but sweating over the details of who did what and who was where misses the point of the Invictus sound: the sound and the songs took prominence over group membership, and why not? The team at Invictus was tremendous, creating big, "Wall of Sound" productions that were nevertheless nimble, stylish, and lush: a perfect expansion of the Motown aesthetic for the post-psychedelic, smooth, soul era.
This is a movie about people caught up in the moment just before a large or small change is about to take place in their lives. A combination of chance and fate delude the protagonists throughout. The movie attempts to describe the life of individuals in contemporary Israeli society, and the almost impossible attempt to simply live one's life. Whether he is a regular citizen or an important "boss", the life of every Israeli is consciously or unconsciously shaped by the national state of affairs.
On the 13th Day is the 17th studio album from the rock group Magnum (including Keeping the Nite Light Burning and ignoring Evolution), which was released in September 2012, under the label of Steamhammer Records/SPV. The album entered the charts at number 3 in the UK Rock & Metal Charts, number 5 in the UK Indie Charts, number 28 in the German Album Charts, #36 Swedish Album Charts, #43 UK Album Charts during its first week, making it their most successful album since their reformation in 2002 at the time of its release. Bob Catley has stated that he considers On the 13th Day to be Magnum's rockiest album to date, with the track Dance of the Black Tattoo standing out as particularly heavy for a Magnum album.
Essential: a masterpiece of progressive rock music
In my opinion, On the Third Day is the best album by ELO during their early progressive rock period. Even though this album started showing signs of Lynne's movement towards more radio-friendly material and simpler song structures, it still has masterpiece written all over it. The most major improvement was clearly the quality of production, Lynne's improved vocal delivery and even better guitar playing from a performer who would never be known for his prowess on this instrument. Richard Tandy is cut loose here and there providing some well-fitting keyboard work on New World Rising, Daybreaker, Dreaming of 4000 and the Grieg tribute In the Hall of the Mountain King.