Both sets of Chopin's etudes can be as fiendishly difficult for the performer as they are mesmerizing for the listener, yet Maurizio Pollini makes them sound as if they pose no problems whatsoever for him in this 1972 recording. Every one of the etudes is played with easy precision, energy, and an entirely enjoyable musicality that demonstrates why Chopin's etudes are no mere exercises and are as suited to the recital hall as to the practice room. The Op. 25 No. 5 Etude in E minor has some tricky finger acrobatics in it, but Pollini brings out a singing melody all the same in the middle section, while adding a bit of dancing animation to the outer sections…
Before releasing his first disc of Bach’s organ works, Masaaki Suzuki had recorded the composer’s complete sacred cantatas, as well as the large-scale choral works and much of the music for harpsichord. His achievements in these fields obscured the fact that Suzuki originally trained as an organist, and began working as such already at the age of twelve. So when Volume 1 of this series reached reviewers around the world, it was something of a revelation to many: the disc went on to be named Choice of the Month in BBC Music Magazine, Diapason d’Or in Diapason and Recording of the Month in Gramophone, which then went on to include it on its list of the ‘50 Greatest Bach Recordings’.
Barry Douglas returns for the highly anticipated third volume in his series devoted to Brahms’s solo piano music, the first two volumes having been met with widespread critical acclaim. Of Vol. 2, International Record Review wrote, ‘this is indeed Brahms playing of the utmost integrity and authority… this cycle looks set to become a benchmark. The selected Intermezzi performed here come from the collections of short piano pieces which Brahms published in 1892 – 93, his last works for piano. A sense of wistful, melancholic reflection pervades these exquisitely crafted masterpieces of Brahms’s late maturity.
This recording is part of a cycle of old testament oratorios by G. F. Handel and is one of the many concerts performed at Maulbronn monastery over the past years. The series combines authentically performed baroque oratorios with the optimal acoustics and atmosphere of this unique monastic church. This ideal location demands the transparency of playing and the interpretive unveiling of the rhetoric intimations of the composition, which is especially aided by the historically authentic performance. The music is exclusively performed on reconstructed historical instruments, which are tuned to the pitch customary in the composers lifetime.
24-bit remastered French exclusive compilation is packaged in a well designed digipak. 24 tracks performed by Louis Armstrong with various ensembles, His Hot Five, His Hot Seven, His Orchestra, Savoy Ballroom Five & others.
As a composer Pergolesi’s productive career began at the age of twenty, and by twenty-six (March 1736) he had died of tuberculosis. During his lifetime Pergolesi’s fame was restricted, in the main, to Rome and Naples, yet after his death, his reputation eclipsed most other composers in the second half of the eighteenth century. The whole of Europe developed an increasing curiosity for his compositions. His posthumous celebrity status was such a magnet in the music world that, hoping to reap large financial profits, publishers and opera directors alike attributed his name to hundreds of vocal and instrumental works by lesser-known composers. Following Pergolesi’s death the Stabat Mater became one of the most celebrated and frequently printed works of the 18th century.