Sarah Deever (Sandy Dennis) is an idealistic young woman living in Brooklyn. Her altruistic nature finds her taking in visitors for a month at a time to help them in their time of need. Charlie Blake (Anthony Newley) is her latest reclamation project, a cardboard-box factory worker and owner of an annoyingly loud alarm on his wristwatch. Charlie gains entrance to her apartment and eventually her heart when he reveals he always wanted to be a poet. Sarah seeks to overcome her own problems by helping those in need, but her need for Charlie's love soon supersedes her initial intentions. He is allowed to stay for the month of November as she adheres to her traditional deadline on guests.
This romantic melodrama reunites The Devil's Advocate (1997) co-stars Keanu Reeves and Charlize Theron, and is directed by Irish filmmaker Pat O'Connor (Circle of Friends). Sara Deever (Theron) is a beautiful young woman who begins a new romantic relationship with a man each month, then helps him to evolve into a better and kinder human being before she moves on to the next partner. Although she's remained friendly with some of her former lovers, she's never broken her one-month rule. November's candidate is a particularly heartless business exec named Nelson Moss (Reeves), who takes a while to come around. Once he does, however, Nelson falls deeply in love, hoping to woo Sara for good; eventually, her resolve weakens. What Nelson doesn't know is the tragic secret behind the brevity of Sara's romances.
When Marcia Griffiths' Play Me Sweet and Nice arrived in 1974, "Jamaica's First Lady of Song" had just left the hitmaking duo of Bob & Marcia – best known for "Young, Gifted and Black" – but was still a year away from forming the I-Threes with Rita Marley and Judy Mowatt. Released in Jamaica on the Wildflower label, the album launched her solo career with what was considered an instant classic back home, but liberties were taken – different cover art, a rearranged track list, and a new, less risqué title, Sweet Bitter Love – when the U.K. label Trojan released their version later that same year.
"ADAM at" is a Japanese instrumental band. This is their second full length album. The sound is more of a 70s-80s fusion featuring piano and guiar as its lead intruments. I think it is like Shakatak featuring Larry Carlton sound, belive it or not. A young emerging artist but has feel of traditional jazz rock element. Still pretty local, so I cant't find any English description about this unit. Hope some of you enjoy.