Sarah Deever (Sandy Dennis) is an idealistic young woman living in Brooklyn. Her altruistic nature finds her taking in visitors for a month at a time to help them in their time of need. Charlie Blake (Anthony Newley) is her latest reclamation project, a cardboard-box factory worker and owner of an annoyingly loud alarm on his wristwatch. Charlie gains entrance to her apartment and eventually her heart when he reveals he always wanted to be a poet. Sarah seeks to overcome her own problems by helping those in need, but her need for Charlie's love soon supersedes her initial intentions. He is allowed to stay for the month of November as she adheres to her traditional deadline on guests.
This romantic melodrama reunites The Devil's Advocate (1997) co-stars Keanu Reeves and Charlize Theron, and is directed by Irish filmmaker Pat O'Connor (Circle of Friends). Sara Deever (Theron) is a beautiful young woman who begins a new romantic relationship with a man each month, then helps him to evolve into a better and kinder human being before she moves on to the next partner. Although she's remained friendly with some of her former lovers, she's never broken her one-month rule. November's candidate is a particularly heartless business exec named Nelson Moss (Reeves), who takes a while to come around. Once he does, however, Nelson falls deeply in love, hoping to woo Sara for good; eventually, her resolve weakens. What Nelson doesn't know is the tragic secret behind the brevity of Sara's romances.
Hip-O Select’s 2010 double-disc set Sweet Dreams: The Complete Decca Masters (1960-1963) gathers all of the 51 master takes Patsy Cline recorded with Owen Bradley after she left 4 Star Records for Decca in 1960, running right until her tragic death in 1963. This is the first time all these master takes have been issued in a complete set, which is hard to believe because they form the core of Cline’s legacy. Patsy had been recording frequently since 1954 when she first signed a deal with 4 Star, but the label’s president, Bill McCall, insisted that she only recorded songs for which he owned the publishing rights, a restrictive deal that resulted in only one hit, the classic career-making “Walkin’ After Midnight.”
The soundtrack to Atom Egoyan's The Sweet Hereafter boasts an expansive folk/international mix tailored made for the film's atmospheric study of loss and guilt. Featuring original material by Mychael Danna, the disc spotlights the wan vocal talents of Sarah Polley (who also appears in the film and contributes some music and lyrics here) enveloped in lean and ethereal backdrops; the accompaniment comes courtesy of the Toronto Consort and a combo that includes Danna on Harmonium and Kim Deschamps on pedal steel. Also on hand are ney player extraordinaire Hossein Omoumi and flautist Ron Korb, both of whom fit snug on the many Middle Eastern-flavored sides they guest on. In addition to the Danna material, the soundtrack also features numbers by Jane Siberry and the Tragically Hip.