This is a fantastic example to the 60's Soul Jazz movement. Cox, an accomplished musician, didn't want to be a basketball coach. When he was growing up in Cincinnati, he wanted to be a great baseball player, another Jackie Robinson. And he wanted to be a great jazz saxophone player, another Charlie Parker. After graduating from Kentucky State, Cox came to Chicago with classmate Joe Henderson, the famed tenor sax player. They were en route to California to become professional musicians. But Cox never left. He found a home – and another occupation – on the South Side.
It was a sad day for cool jazz when Lennie Niehaus made film music – not jazz – his primary focus. From a jazz standpoint, the Los Angeles resident had so much going for him. Niehaus had an attractive tone along the lines of Lee Konitz and early Bud Shank, and he was a talented arranger to boot. Produced by Lester Koenig in L.A. in 1956, Lennie Niehaus, Vol. 5: The Sextet is quite representative of Niehaus' Contemporary output of the 1950s. This album finds Niehaus leading a sextet that boasts Bill Perkins on tenor sax and flute, Jimmy Giuffre on baritone sax, Stu Williamson on trumpet and valve trombone, Buddy Clark on upright bass, and Shelly Manne on drums – in other words, the cream of the southern California crop.