In 2011, bassist Charlie Haden and pianist Carla Bley led an iteration of the Liberation Music Orchestra in a live concert at the Jazz Middelheim Festival in Antwerp, Belgium. It was partially intended as a warm-up for a forthcoming Liberation Music Orchestra album, a process that had been in the works since 2007. Sadly, Haden died from post-polio syndrome in 2014 before any new LMO tracks could be recorded. Thankfully, Haden, along with his wife, Ruth Cameron Haden, and Bley had discussed his desires for how to finish the album prior to his passing. Furthermore, the 2011 performance, which included two new arrangements earmarked for the planned album, had been recorded for Belgian public radio. All this meant that an album was possible, and in 2015 Bley convened the LMO in a studio to record the new material. Per Haden's request, longtime friend and esteemed bassist Steve Swallow was brought in to play his parts.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. The gentle genius of guitarist Johnny Smith – perfectly captured in this late nite trio session from the 50s! There's a lot more jazz here than you might guess from the "easy listening" title – and Johnny's working with drummer Charlie Mastropaolo and bassist George Roumanis, in a style that's very much in keeping with his other best Roost work at the time. Smith has this way on the strings that's like few other players of his time – a style of playing the guitar that's so gentle, so spacious, the notes come off the instrument almost by themselves – with a lightly ringing quality that's the best part of the unique Johnny Smith tone.
An investigation into the story of a popular music that is often said to be made to be heard, but not listened to. The film looks at easy listening's architects and practitioners, its dangers and delights, and the mark it has left on modern life.
The 1960s was a time of Top-40 radio, featuring a wide variety of styles, especially in the pop and easy listening genres. 'Pop Memories of the '60s' is the biggest and best collection of these hits ever offered in one box set. With well-known vocalists, folk artists, instrumentalists and more, it's one great musical memory after another!
An investigation into the story of a popular music that is often said to be made to be heard, but not listened to. The film looks at easy listening's architects and practitioners, its dangers and delights, and the mark it has left on modern life. From its emergence in the 50s to its heyday in the 60s, through its survival in the 70s and 80s and its revival in the 90s and beyond, the film traces the hidden history of a music that has reflected society every bit as much as pop and rock - just in a more relaxed way. Invented at the dawn of rock 'n' roll, easy listening has shadowed pop music and the emerging teenage market since the mid-50s. It is a genre that equally soundtracks our modern age, but perhaps for a rather more 'mature' generation and therefore with its own distinct purpose and aesthetic.
By 1971, James Taylor, was recognized as the living embodiment of the post-hippie singer-songwriter movement. But until YOU'VE GOT A FRIEND, culled from his third album, he hadn’t enjoyed a No.1 single. The song was written by former Brill Building tune-smith Carole King, who had fled New York for laid-back California and during the early '70s, was herself making the transition to solo recording artist.
Taylor and King were introduced to each other by Danny Kortchmar, a guitarist who had previously worked with him in the Flying Machine and with her in the City. As Carole was recording her landmark album Tapestry, James was a few blocks down the street cutting his own Mud Slide Slim and the Blue Horizon, and You’ve Got a Friend appeared on both sets. King decided not to release her version as single, so Taylor did-though when they toured together that summer, they usually shared the song in a show-closing duet.