Outstanding, killer "Hendrix Tribute" disc captured Live on Randy Hansen's Euro-tour 2008. It is an amazing, heavy-duty set featuring many Hendrix tracks/jams not found on Hansen's previous "tribute" discs. Awesome, over-the-top, relentless, Hendrixian-Guitar Fury dominates this stand-out, live bluesy heavy guitar "musical document". Randy Hansen is a true, legitimate, modern-day, white Hendrix who nails down the Man's monumental, timeless, classic riffage with power, precision and passion. Complete with tons of bad-ass, killer, extended, improvisational, Hendrix-inspired lead guitar action that make for a disc which will satisfy both hard-core Hendrix lovers and serious heavy guitar fans worldwide.
Stand Up is the second studio album by the British rock band Jethro Tull, released in 1969. Stand Up represents the first album project on which Anderson was in full control of the music and lyrics. The result was an eclectic album with various styles appearing in its songs, yet an album which remained somewhat in the blues rock mould, which would be the last such album from Jethro Tull. The album quickly went to number 1 in the UK charts. It was released again in November 2016 in a box set with two CDs and one DVD, named Stand Up - The Elevated Edition. The box contains rare and previously unreleased music (such as an alternate take of "Bourée", BBC tracks, radio spots) including new stereo and 5.1 mixes of the album and bonus tracks by Steven WIlson, and a live presentation, from a concert in Sweden in 1969, also remixed by Wilson.
As a composer of orchestral music, Alexander Scriabin is best known for his last two idiosyncratic symphonies, the Poem of Ecstasy and Prometheus: The Poem of Fire, which are essentially symphonic poems, not symphonies in the conventional sense. The Symphony No. 1 (1900) and the Symphony No. 2 (1901), however, are more recognizable as symphonies in their multiple-movement forms, and their durations are comparable to the expansive symphonies of Scriabin's contemporary, Gustav Mahler. They also share the post-Romantic tendency toward Wagnerian harmonies, rhapsodic melodies, and lush orchestration, which, in Scriabin's case, were developed to express heightened emotional states and mystical transcendence. This 2016 double SACD by Valery Gergiev and the London Symphony Orchestra presents each of the symphonies on its own disc, and the high-quality multichannel sound is ideal for bringing across the subtle nuances of tone color and the shifting of dynamics that are characteristic of his style.]