Oscar Benton is a Dutch vocalist and the founder of the Oscar Benton Blues Band in 1967. The band rose to fame in 1968 by being a runner up in the Jazz Festival, Loosdrecht, Holland. In his solo career, Oscar Benton released with his 1981 homonymous album the Bensonhurst Blues, written by Artie Kaplan & Artie Kornfeld, and produced by the EMI Records. The Bensonhurst Blues, which is considered to be Oscar Benton's best hit, was part of the soundtrack of the 1999 movie La Bûche. Earlier it was on the soundtrack of the film Pour la Peau d'un Flic, 1.979, which features Alain Delon. The earliest version of that song is that of Artie Kaplan in his 1973 album Confessions Of A Male Chauvinist Pig produced by the Hopi Records. The Italian singer Adriano Celentano, in his 2004 album C'é Sempre un Motivo, included an Italian version, named Vengo del Jazz.
Pink Floyd's the Wall is one of the most intriguing and imaginative albums in the history of rock music. Since the studio album's release in 1979, the tour of 1980-81, and the subsequent movie of 1982, the Wall has become synonymous with, if not the very definition of, the term "concept album." Aurally explosive on record, astoundingly complex on stage, and visually explosive on the screen, the Wall traces the life of the fictional protagonist, Pink Floyd, from his boyhood days in post-World-War-II England to his self-imposed isolation as a world-renowned rock star, leading to a climax that is as cathartic as it is destructive.
Who knows what Dave Edmunds was thinking when he agreed to produce and assemble the soundtrack to 1985's Porky's Revenge! It's easier to see the motives of the movie's producers – they were flush with cash after two successful teen-sex comedies set in the '50s, and who would be better to create a new soundtrack of old-time rock & roll than Edmunds, who was not only well-known for his retro-rock, but was riding a wave of popularity after a pair of MTV-friendly Jeff Lynne-produced albums in the mid-'80s. That makes sense. What boggles the mind is that Edmunds, after accepting the job, decided to treat this soundtrack – which, let's remember, is the second sequel to a film best known for a scene of horny teenage boys spying on the girls in a gym shower and for a female character called "Lassie" who howls like a dog during orgasm – as a prestige project, recruiting such superstars as George Harrison, Carl Perkins, Jeff Beck, Willie Nelson, and Robert Plant (performing under the Crawling King Snakes moniker with Phil Collins on drums!), along with the up-and-coming Fabulous Thunderbirds, to record new material for this exploitation film!
In The Soundtrack of My Life, music legend Clive Davis recounts an extraordinary five-decade career in the music business, while also telling a remarkable personal story of triumphs, disappointments, and encounters with some of the greatest musical artists of our time, from Bob Dylan and Paul Simon to Whitney Houston and Alicia Keys.
… Musically a typical example of German seventies rock not unlike their stablemates 'Grobschnitt' and 'Jane' for the harder edge, with guitar and organ jams. … Satin Whale released 'A Whale of Time', a good record, especially the title track, an instrumental with a great string arrangement. In 1979 the band composed the soundtrack for the German movie 'Die Faust In Der Tasche' by director Max Willutzki. As the film was very successful and with their popularity rising the band released 'On Tour' the same year. …