A great album and the release that made Roberta Flack a major soul and R&B artist in the early '70s. She had a soft, compelling, alluring voice, and was able to convincingly switch gears and also convey anger, regret, hurt, or despair. Those who thought Flack was a one-hit wonder, or didn't think she could make the transition from doing mostly jazz to other styles, were convinced otherwise.
When Peabo Bryson and Roberta Flack teamed up in 1983 to record the Capitol album BORN TO LOVE, the pair had already experienced success as a duo thanks to the 1980 LP, Live & More (a Top 10 R&B best-selling album). By the time they headed into the studio to cut BORN TO LOVE, Bryson was six years into his recording career and had established himself as one of the premier black male vocalists of the day; Flack was already considered an internationally-renowned artist thanks to classic recordings such as ‘The First Time Ever I Saw Your Face’ and ‘Killing Me Softly With His Song.’
' song catalog is one of the best-known and revered bodies of work in the whole of modern music, and the depth, variety, and timelessness of the songs this once-in-a-lifetime band produced make that catalog both a marvel and a treasure. Everyone knows these songs, and everyone knows them in the original Beatles versions. Those versions are there, shining in stone, and even when they show up in remixes like in the recent LOVE mashup, the original recordings echo unshakably in the mind. knows this. On , she tackles 12 of the group's songs - 11 written by and and one written by George Harrison - and she knows full well that she's dealing with the ghosts of the original versions.
"I'm So Into You: The Passion of Peabo Bryson" is a terrific overview of the smooth soul singer's late-'70s and early-'80s hits, featuring the majority of his Top Ten R&B hits for Capitol Records ("Reaching for the Sky," "I'm So Into You," "Let the Feeling Flow," "Gimme Some Time"), plus his hit duets with Roberta Flack ("Tonight I Celebrate My Love for You") and Natalie Cole ("Love Will Find You," "Let's Fall in Love/You Send Me").
Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, gambist, singer and Roman Catholic priest.
Monteverdi's work, often regarded as revolutionary, marked the transition from the Renaissance style of music to that of the Baroque period. He developed two individual styles of composition – the heritage of Renaissance polyphony and the new basso continuo technique of the Baroque. Monteverdi wrote one of the earliest operas, L'Orfeo, an innovative work that is the earliest surviving opera that is still regularly performed. He was recognized as an innovative composer and enjoyed considerable fame in his lifetime.
This production was recorded at the Teatro Malibran of La Fenice in Venice in occasion of the celebrations for the 3rd centenary of Galuppi’s birth. This is the first performance in modern times, and a World Premiere recording on DVD. The Orchestra Barocca di Venezia, conducted by baroque expert Andrea Marcon plays on original instruments from the 18th century. Olimpiade, was written for the opening of the carnival season of Milan’s Teatro Ducale on December 26, 1747… (http://www.arkivmusic.com)
In the past five or six years, the recording industry has been very generous with baroque opera, in general, and Vivaldi's operas in specific (despite the well known crisis of classical music recordings). It has to do with all the research that has been done about this field and the Vivaldi's operas that have been found… Motezuma is the latest recording addition to this operatic side of Vivaldi's music and it is presented as a first world premiere of the original opera with some reconstruction for the recitativos. (In 1992 Jean- Claude Malgoire's make a recording of a pasticcio with the name of Montezuma, using music from cantantas, serenatas and other Vivaidi Operas).