Richter Scriabin

Sviatoslav Richter - Richter In Prague Complete (15CDs, 2001)  Music

Posted by Discograf_man at Jan. 18, 2017
Sviatoslav Richter - Richter In Prague Complete (15CDs, 2001)

Sviatoslav Richter - Richter In Prague Complete (15CDs, 2001)
Classical, Orchestral | MP3 CBR 320 kbps | 2.31 GB | Covers 30 Mb
Label: Harmonia Mundi / Praga | Release Year: 2002

This is the largest, most comprehensive, and most valuable collection currently available of the playing of one of the greatest pianists of the 20th century. Czech Radio seems to have recorded virtually everything Richter played during his frequent visits to Prague during a period of 34 years. Many of the highlights of the pianist's vast repertoire are included here, including 10 Beethoven Sonatas, two Concertos, and the "Diabelli" Variations, along with major works of Brahms, Chopin, Mozart, Ravel, Schubert, Schumann, and Scriabin.
Sviatoslav Richter – Sensibler Exzentriker/Sensitive Eccentric: Box Set 10CDs (2010)

Sviatoslav Richter – Sensibler Exzentriker/Sensitive Eccentric: Box Set 10CDs (2010)
Classical | MP3 CBR 320 kbps | 1,16 Gb
Label: Documents (Membran) | Release Year: 2010

This compilation features recordings made between 1950 and 1958 and “accompanies” the legendary pianist on his way to the Mount Olympus of piano playing. The repertoire ranges from Johann Sebastian Bach over German classicism and romanticism (Beethoven, Schubert, Schumann) to that gathering of great Russian composers – Tchaikovsky, Mussorgsky, Scriabin, Rachmaninov and Prokofiev.

Sviatoslav Richter - The Complete Album Collection (2015)  Music

Posted by peotuvave at Feb. 6, 2015
Sviatoslav Richter - The Complete Album Collection (2015)

Sviatoslav Richter - The Complete Album Collection (2015)
EAC Rip | Flac (Tracks + cue + log) | 18 CDs | Full Scans | 3.17 GB
Genre: Classical | Label: Sony | Catalog Number: 88843014702

Sony Classcial celebrates the art of Sviatoslav Richter (1995-1997) – one of the 20th century’s greatest pianists – with the first-ever release of his complete Columbia Masterworks and RCA Victor live and studio recordings in an 18 CD original jacket edition, underneath Richter’s legendary five October 1960 Carnegie Hall recitals.
Sviatoslav Richter in the 1950s Vol. II · Schumann·Scriabin·Mussorgsky & Tchaikovsky [Re-up + new rip]

Sviatoslav Richter in the 1950s Vol. II · Schumann·Scriabin·Mussorgsky & Tchaikovsky
EAC rip | Flac, IMG+CUE, Log | MB | Full 300 dpi scans | WinRar 5% Rec.Rec.
Label: Parnassus # PACD96-003/4 | Rel. 1996| Rec.: 1952,1955 & 1957·Live Recording

From the notes: "The younger Richter was perhaps even more of a virtuoso that the more mature artist. Hearing these early recordings, we may feel that in this decade he was more willing to dazzle audiences with his facility. … Richter's Schumann has long been noted as one of his best composers. In the Humoresque, the only Richter live performance so far published, Richter identifies completely with the unique atmosphere of this stream-of-consciousness music, in which ideas sometimes appear by simply pushing other music aside." Notes by Leslie Gerber [also the Producer]
Sviatoslav Richter: Legendary Scriabin Performance in Warsaw 1972

Sviatoslav Richter Legendary Scriabin Performance in Warsaw 1972
Separate tracks in ALAC | ripped by XLD | NO Cue, NO Log, NO Booklet, Cover embedded | 3 files, 280 MB
Classical Piano | Live performances | Arkadia CDGI910.1
Valery Gergiev, London Symphony Chorus & Orchestra - Alexander Scriabin: Symphonies Nos 1 & 2 (2016) 2CDs

Alexander Scriabin: Symphonies Nos 1 & 2 (2016) 2CDs
Ekaterina Sergeeva, mezzo soprano; Alexander Timchenko, tenor
London Symphony Chorus & Orchestra; Valery Gergiev, conductor

EAC | FLAC | Image (Cue&Log) ~ 375 Mb (incl 5%) | Scans included
Classical | Label: LSO Live | # LSO0770 | Time: 01:31:10

As a composer of orchestral music, Alexander Scriabin is best known for his last two idiosyncratic symphonies, the Poem of Ecstasy and Prometheus: The Poem of Fire, which are essentially symphonic poems, not symphonies in the conventional sense. The Symphony No. 1 (1900) and the Symphony No. 2 (1901), however, are more recognizable as symphonies in their multiple-movement forms, and their durations are comparable to the expansive symphonies of Scriabin's contemporary, Gustav Mahler. They also share the post-Romantic tendency toward Wagnerian harmonies, rhapsodic melodies, and lush orchestration, which, in Scriabin's case, were developed to express heightened emotional states and mystical transcendence. This 2016 double SACD by Valery Gergiev and the London Symphony Orchestra presents each of the symphonies on its own disc, and the high-quality multichannel sound is ideal for bringing across the subtle nuances of tone color and the shifting of dynamics that are characteristic of his style.]
Valery Gergiev, London Symphony Orchestra - Alexander Scriabin: Symphonies Nos 3 & 4 (2015)

Valery Gergiev, London Symphony Orchestra - Alexander Scriabin: Symphonies Nos 3 & 4 (2015)
EAC | FLAC | Image (Cue&Log) ~ 285 Mb (incl 5%) | Scans included | Time: 01:04:58
Genre: Classical | Label: LSO | # LSO0771

In this first volume of Alexander Scriabin's symphonies on the LSO Live label, Valery Gergiev and the London Symphony Orchestra begin in media res with the Symphony No. 3, "Le Divin Poème," and the Le Poème de l'extase, which is unofficially counted as the Symphony No. 4. These works date from Scriabin's middle period (ca. 1902-1908), which marks a transition from his youthful Romantic phase to his final visionary works. The Symphony No. 3 reflects a lingering attachment to the symphonic conventions which influenced Scriabin's first two symphonies, particularly in its three-movement structure and relatively clear tonal scheme, though it already hints at the organic development and greater harmonic complexity of the single-movement Le Poème de l'extase, which strains the boundaries of form and key. These effusive works demand a calculated control that may seem at odds with their volatile and languorous expressions, though Gergiev and the London Symphony Orchestra deliver the music with rhythmic precision and focused tone colors to bring across Scriabin's kaleidoscopic soundworld with brilliance.
Vanessa Benelli Mosell - Light: Scriabin & Stockhausen (2016) [Official Digital Download 24/96]

Vanessa Benelli Mosell - Light: Scriabin, Stockhausen (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 63:22 minutes | 530 MB
Studio Master, Official Digital Download | Artwork: Front cover

Light is the ideal follow up to Vanessa Benelli Mosells debut album on Decca, [R]evolution. This new album includes music by Alexander Scriabin as well as by her mentor, Karlheinz Stockhausen, thus putting together two composers both considered visionaries in their respective different historical periods.
Max Richter - Recomposed By Max Richter > Vivaldi: The Four Seasons (2012) [24/96]

Max Richter - Recomposed By Max Richter > Vivaldi: The Four Seasons (2012)
FLAC (tracks) 24-bit/96 kHz | Time - 43:59 minutes | 916 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Recomposed by Max Richter: Vivaldi - The Four Seasons is the 2012 album by neo-classical composer Max Richter. The Four Seasons may be the most cherished piece of classical music ever composed. This album is part of Deutsche Grammophon’s new Recomposed series, which invites contemporary musicians to re-work an original piece of music. Award-winning composer Max Richter approached Vivaldi’s masterpiece as not only an admirer, but more importantly, as a composer. This re-work is engaging, attractive and highly accessible. The album features British violinist Daniel Hope, German conductor Andre de Ridder and the Konzerthaus Chamber Orchestra.

Max Richter - Sleep (2015) [Eight Hour Version] {24bit/96kHz}  Vinyl & HR

Posted by HDV at Nov. 14, 2015
Max Richter - Sleep (2015) [Eight Hour Version] {24bit/96kHz}

Max Richter - Sleep (2015)
FLAC (tracks) 24 bit/96 kHz | Time - 504:22 minutes | 8,89 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Blending classical, electronic, and rock influences into a style he calls "post-classical", composer/programmer Max Richter ignores boundaries in favor of haunting, strangely familiar sounds. This approach made him an in-demand composer for film and other types of performing arts, as well as an acclaimed artist in his own right.