Musica Rusa Para Cello Wamer

Partituras de Musica Mexicana [Update Feb 2008]  

Posted by 35001a1 at July 24, 2006
Partituras de Musica Mexicana [Update Feb 2008]

Partituras de Musica Mexicana para Guitarra
E-Books | 2 Pdf's | Size : 7,37MB

La Barca de Oro, Las Mañanitas,
La Bikina, No se Tú,
Solamente una Vez, Cuando Vuelva a Tu Lado,
Jurame, La Zandunga,
La Adelita, Hay unos Ojos ….

Emilio Teubal - Musica Para Un Dragon Dormido (2013)  

Posted by mark70 at Aug. 23, 2013
Emilio Teubal - Musica Para Un Dragon Dormido (2013)

Emilio Teubal - Musica Para Un Dragon Dormido (2013)
MP3 320 kbps CBR | 64:00 min | 147 MB
Genre: Jazz, World Fusion | Label: Brooklyn Jazz Underground Records

The intellect of the Argentine musician Emilio Teubal is not the only facet of his musical personality to enjoy on his fine album Música Para Un Dragón Dormido (Music for a sleeping dragon). Mr. Teubal is also a fine storyteller with an unbridled imagination and playfulness that is reminiscent of his legendary countryman, the writer Jorge Luis Borges. Like the master littérateur, Mr. Teubal delves into the world of magical realism, which seems to be a universe where he spends much of his time as a composer of music. This gives his compositions great character, a sense of mystery and colourful playfulness that is rare in music today.

Lito Vitale-Musica para soñar y reposar v.1 (2002)  

Posted by juanchito at April 14, 2011
Lito Vitale-Musica para soñar y reposar v.1 (2002)

Lito Vitale - Musica para soñar y reposar v.1 (2002)
EAC Rip | FLAC, Separate files + CUE + LOG | 200.8 MB | Full Scans 600 dpi | FS
Genre: Latin | Label: Ciclo 3 | Catalog number: 50058
Antonio De Cabezon - Obras de Musica Para Tecla, Arpa y Vihuela Vol 4.

Antonio De Cabezon - Obras de Musica Para Tecla, Arpa y Vihuela Vol 4.
Exact Audio Copy v0.99 prebeta 5 | Release year 2005 | Log+Cue+Flac 316mb | No covers
Harmonices Mundi
"La Moranda", cornetti & trombone
Claudio Astronio, conductor
Genre: Classical
Miguel de Fuenllana - Libro de Musica para Vihuela intitulado Orphenica lyra

Miguel de Fuenllana - Libro de Musica para Vihuela intitulado Orphenica lyra
FLAC+Cue | Scans | 1 CD | 260 Mb
Genre: Renaissance | Label: Glossa | 1999
Alonso Mudarra, Tres Libros de Musica en Cifras Para Vihuela - Hopkinson Smith (1976)

Alonso Mudarra, Tres Libros de Musica en Cifras Para Vihuela - Hopkinson Smith (1976)
Astrée E8740 | EAC FLAC Lossless + scans + tabulature | ~299 MB

Alonso Mudarra, Tres Libros de Musica en Cifras Para Vihuela - Hopkinson Smith (1976)

Awards: Télérama: un événement, Diapason d'Or, Choc du Monde de la Musique

Con una calurosa dedicatoria a assamgurudas
…para que se acuerde…

Michel Huygen-Musica Para La Buena Mesa  Music

Posted by free99 at Nov. 10, 2006
Michel Huygen-Musica Para La Buena Mesa

Michel Huygen-Musica Para La Buena Mesa(1994)
New Age | MP3 192 Kbps | 55:33min | 76,3 Mb
Tim Hugh, Mirjam Tschopp, Bilkent SO, Howard Griffiths - Ahmed Adnan Saygun: Cello Concerto; Viola Concerto (2007)

Ahmed Adnan Saygun: Cello Concerto; Viola Concerto (2007)
Tim Hugh, cello; Mirjam Tschopp, viola; Bilkent Symphony Orchestra; Howard Griffiths, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 281 Mb (incl 5%) | Mp3 (CBR320) ~ 161 Mb (incl 5%) | Scans included
Genre: Classical | Label: cpo | # cpo 777 290-2 | Time: 00:55:27

This disc strikes me as an ideal introduction to the music of Turkey’s greatest composer. Ahmed Adnan Saygun’s style might be described as “Szymanowski with a primal rhythmic feel.” If you love the composer’s First Violin Concerto then you will find here a very similar exoticism, nocturnal atmosphere, and love of voluptuous textures. The harmonic style is intensely chromatic, but also highly melodic. Like Bartók in his last period, Saygun’s handling of tonality mellowed toward the end of his life, which makes the Cello Concerto more consonant than the Viola Concerto, but both works are absolutely gorgeous and masterpieces of their kind. It’s positively criminal that no one plays these pieces regularly in concert. The performances here are excellent. Tim Hugh is a well-known cellist, and he pours on the tone with all of the rhapsodic abandon that Saygun requires. Mirjam Tschopp also is a superb violist, with a big, beefy tone that never gets swamped by the intricate orchestration. It’s also very rewarding to hear a Turkish orchestra in this music–and to find that it plays beautifully under Howard Griffiths.

Pedagogia de la autonomia. Saberes necesarios para la practica educativa  eBooks & eLearning

Posted by lengen at Dec. 8, 2016
Pedagogia de la autonomia. Saberes necesarios para la practica educativa

Pedagogia de la autonomia. Saberes necesarios para la practica educativa (Spanish Edition) by Paulo Freire
Spanish | Jan. 1, 2000 | ISBN: 9682320690 | 69 Pages | PDF | 6 MB

En la busqueda permanente de aprendizaje, pocas veces encontramos textos apropiados como este, que nos ensena a ensenar partiendo del ser profesor.
Steven Isserlis,  Roger Norrington - Joseph Haydn: Cello Concertos in C & D; Sinfonia Concertante (1998)

Joseph Haydn - Cello Concertos in C & D; Sinfonia Concertante (1998)
Steven Isserlis, cello; The Chamber Orchestra of Europe; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 358 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: RCA Red Seal | # 09026 68578 2 | Time: 01:15:22

What a versatile artist Steven Isserlis is. Having made his name as a sympathetic interpreter of a wide variety of romantic and modern music, here he shows he can be just as persuasive in eighteenth-century repertoire. His stylistic awareness is evident in beautiful, elegant phrasing, selective use of vibrato and varied articulation, giving an expressive range that never conflicts with the music’s natural language. In the cello concertos he is helped by an extremely sensitive accompaniment, stressing the chamber musical aspects of Haydn’s pre-London orchestral writing. The soft, intimate sonority at 3'06'' in the first movement of the D major is a typical example. The Adagios are taken at a flowing speed, but Isserlis’s relaxed approach means they never sound hurried. The Allegro molto finale of the C major Concerto, on the other hand, sounds poised rather than the helter-skelter we often hear. In his understanding of the music, Isserlis is a long way ahead of Han-na Chang, whose version places the emphasis on fine, traditional-style cello playing. Mork’s vivacious, imaginative performances characterize the music very strongly, but my preference would be for Isserlis’s and Norrington’s lighter touch and greater refinement.