Carlos Kleiber was perhaps the most highly regarded conductor of the late 20th century, but his relatively few excursions into the studio have left the musical world with a frustratingly small number of recordings. Thus we are particularly fortunate that, from among the relatively few appearances in his career, several concerts, one operetta and two operas were filmed. This concert with the Bayerisches Staatsorchester from Munich's Herkulessaal in October 1996 was on of his last.
Carlos Kleiber was perhaps the most highly regarded conductor of the late 20th century, but his relatively few excursions into the studio have left the musical world with a frustratingly small number of recordings. Thus we are particularly fortunate that, from among the relatively few appearances in his career, several concerts, one operetta and two operas were filmed.
Karl Böhm had a profound, sincere, and abiding love for Mozart's music, and his recordings set new performance standards for these immortal masterpieces. Here his delightful interpretation of three ravishing symphonies and the enchanting Serenata notturna, plus a documentary portrait of this great conductor.
These remarkable films reflect the naturalness and clarity of Böhm's conducting, as he and the Vienna Philharmonic bring unique warmth, wit and wisdom to every bar. "Böhm always goes unerringly to the heart of the matter. His natural, unforced approach are the hallmarks of a Mozart style which was unaffected by fashion or by compromise, and earned the epithet 'timeless' even in the conductor's lifetime." - Peter Cossé
Böhm's Mozart as experienced in these precious films is marked by youthful vigour and directness, as well as a lack of pathos and sentimentality. Every reading glows with profound love and understanding. "Thanks to Bruno Walter's exemplary performances, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart." - Karl Böhm
Barry Wordsworth and the Capella Istropolitana are in full control of these symphonies. This is an excellent release from Naxos. The price is attractive, but it is also a sound investment as the recording is of quality. Capella Istropolitana can cope well with as a chamber orchestra and can also manage well as a large scale orchestra for standard repertoire. They record mainly in the studio and are experienced with works by Haydn, Vivaldi, Telemann and Mozart. This recording is a good example of their ability. Naxos have created a credible set of recordings of the symphonies by Mozart. This was recorded at the Concert Hall of the Slovak Philharmonic in Bratislava in March 1988. It is a Digital record and the sound is of good standard. Symphonies 41 (Jupiter) and 40 make an excellent programme and this release is an excellent way to get these symphonies without great expense.
Schubert's 'Tragic' Symphony and Mozart's 'Paris' Symphony are performed by the Vienna Philharmonic under the baton of Nikolaus Harnoncourt at the Wiener Musikvereinsaal in 1984. Harnoncourt goes back to Schubert's original manuscripts to perform the music in its purest form. Harnoncourt joined forces with The Chamber Orchestra of Europe for Mozart's last symphonies (Nos. 39-41), performed at the Wiener Musikvereinssaal in 1991. Known throughout the world for his highly original approach to classical music, conductor Nikolaus Harnoncourt reveres Mozart as 'the most romantic composer of all'.
Havergal Brian’s extraordinary late creativity is almost unparalleled in musical history. Between the completion of Symphony No. 6 in 1948 and the end of his compositional life two decades later he wrote 26 symphonies. No. 6 marks a crucial point in his adoption of more concise forms and economy of expression in its single-movement span, a process taken even further in the brief but free polyphonic fantasia of No. 31. In Symphonies Nos. 28 and 29 Brian turned to the classical four-movement model but one which is wholly and idiosyncratically re-imagined. The intensity and even savagery of No. 28 is balanced by No. 29, Brian’s most lyrical late work.