Miles Davis Complete Lossless

Miles Davis - Complete Birdland Recordings (1951-52) (2002)  Music

Posted by frangarbla at May 2, 2011
Miles Davis - Complete Birdland Recordings (1951-52) (2002)

Miles Davis - Complete Birdland Recordings (1951-52)
EAC secure mode FLAC (image+cue+log) | 375.69 Mb (FLAC) | 77:08 minutes | Covers.
jazz, classic jazz, be-bop | Disconforme Records. Cd published in 2002

Miles Davis - Complete Birdland Recordings (1951-52) (2002)

This excellent compilation includes some spectacular Miles Davis rarities, all recorded during 1951-52...
Miles Davis - Complete Live at Plugged Nickel 1965 CD4-8 of 8CDs

Miles Davis - Complete Live at Plugged Nickel 1965
Jazz | mp3 VBR 256kbps-320kbps | 158MB+121MB+150MB+159MB+107MB | 1965
Miles Davis - Complete Live at Plugged Nickel 1965 CD1-3 of 8CDs

Miles Davis - Complete Live at Plugged Nickel 1965
Jazz | mp3 VBR 256kbps-320kbps | 109 MB + 97.6 MB + 63 MB | 1965

Miles Davis - Complete In a Silent Way Sessions boxset 1969  Music

Posted by cielodelsud at Feb. 23, 2007
Miles Davis - Complete In a Silent Way Sessions boxset 1969

Miles Davis - Complete In a Silent Way Sessions boxset 1969
Jazz | mp3 | 320 Kbps | 484 Mb

This 3 CD box set covers the original recordings from September 1968 to February 1969; and illustrates how Miles and his cohorts moved from the spontaneous abstraction of the Second Great Quintet to an ethereal sound that merged jazz, rock, and R&B.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.88 Gb | MP3 @320 -> 1.11 Gb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1222~29 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.

Miles Davis - Ballads (1990)  Music

Posted by v3122 at Nov. 27, 2016
Miles Davis - Ballads (1990)

Miles Davis - Ballads (1990)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
CBS 461099 2 | ~ 256 or 112 Mb | Scans(jpg) -> 24 Mb
Jazz, Cool Jazz, Bop, Hard Bop

A well-sequenced set of nine ballads done by various incarnations of Miles Davis groups for Columbia Records between 1956 and 1984, this compilation is a wonderful listen but pieces like "Flamenco Sketches" and "I Loves You, Porgy," for instance, really need to be heard in their original settings to be truly appreciated…
The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956) [DCC, GZS-1063]

The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
DCC, GZS-1063 | ~ 237 or 111 Mb | Scans Included
Jazz / Bop / Cool / Hard Bop

Workin' is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin' and Relaxin', Workin' is the product of not one – as mythology would claim – but two massively productive recording sessions in May and October of 1956, respectively…

Miles Davis - Steamin' (1956) [DCC, GZS-1065]  Music

Posted by v3122 at Nov. 23, 2016
Miles Davis - Steamin' (1956) [DCC, GZS-1065]

Miles Davis - Steamin' (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1994 | DCC, GZS-1065 | ~ 221 or 109 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

Although chronologically the last to be issued, this collection includes some of the best performances from the tapes which would produce the albums Cookin', Relaxin', Workin', and ultimately, Steamin'. A primary consideration of these fruitful sessions is the caliber of musicians – Miles Davis (trumpet), Red Garland (piano), John Coltrane (tenor sax), and Philly Joe Jones (drums) – who were basically doing their stage act in the studio…

Miles Davis - Relaxin' (1956) [DCC, GZS-1052]  Music

Posted by v3122 at Nov. 21, 2016
Miles Davis - Relaxin' (1956) [DCC, GZS-1052]

Miles Davis - Relaxin' (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1994 | DCC, GZS-1052 | ~ 172 or 87 Mb | Scans(jpg) -> 33 Mb
Jazz, Cool Jazz, Bop, Hard Bop

Relaxin' features the Miles Davis Quintet in a pair of legendary recording dates – from May and October of 1956 – which would generate enough music to produce four separate long-players: Cookin', Relaxin', Workin', and Steamin'. Each of these is considered not only to be among the pinnacle of Davis' work, but of the entire bop subgenre as well…
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 4of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 4of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.70 Gb | MP3 @320 -> 739 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1216~21 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Fusion / Trumpet

With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge – slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices.