After living abroad for several years, journalist John Royer returns to the United States just after the U.S. enters World War II. His boast that he could easily smuggle rubber, a key wartime natural resource, out of Malaya has him tasked with doing just that. He manages to get someone from his past, Carnaghan, sprung from Alactraz and together they head off to South East Asia posing as Irishmen. Once there, Carnaghan lines up some of his old cronies and with Royer and a few plantation owners plans to smuggle the rubber out from under the Japanese army's watchful eye.
Overwhelmingly interesting and extremely variant, Jon Hassell's Dream Theory in Malaya is rescued from the stereotypical new age recipe, thanks to its ever-changing instrumental structure and the use of numerous eccentric instruments that emerge as the album progresses. The album's concept is taken from an anthropologist's 1935 study of a tribe of Malaysian aborigines who made it part of their daily routine to discuss the dreams they had the night before. To this story line, Hassell has created a novel and extraordinary set of instrumental meanderings that even includes a refurbished and re-fragmented set of rhythms that was believed to be created by the Semelai tribe.