Released in 1976, Naked & Warm is the fifth studio album by American R&B singer Bill Withers and his second for Columbia Records.
"Making Music" is the fourth studio album by American R&B singer Bill Withers. It was also released in the UK as Making Friends. "Making Music" was released in 1975 and is Withers' first album on Columbia Records due to Sussex Records folding in July 1975. The album charted at number seven on the R&B album charts. The album was released in the UK by CBS under the title of 'Making Friends' also in 1975.
LYNYRD SKYNYRD Sounds Of The South/MCA Years 1973-1988 (Limited edition 2007 promotional Japanese box set) contains Lynyrd Skynyrd's original MCA albums digitally remastered and expanded and housed in miniature LP sleeves [One More For The Road is a double CD], all of whichare promo-stamped. Five of the albums include bonus tracks and each includes replica liner notes or picture inserts. Not least there are two booklets: an extensive 80-page booklet with English lyrics and specific notes onthe bonus tracks + a 28-page booklet about the boxand album reissues themselves.
After almost half a year in the making, The Birthday Party was released in the UK during October 1968 and was one of the first albums to be housed in a gatefold sleeve (the first of course was by the Beatles). Jeff, Greg, Dave and Roger lounge rather dapperly around an oversized invitation asking one and all to come to their first birthday party.
Digitally remastered expanded edition of the final Move album that included Bev Bevan, Roy Wood and Jeff Lynne, who would eventually disband the group to form Electric Light Orchestra. Amid the 9 added bonus tracks are the original single plus an alt version of "Do Ya", one of the groups last recordings that would become a hit for ELO later in the decade. This edition is released in celebration of the 35th Anniversary of the group's signing to EMI Records.
Following his high-water mark of Cardiff Rose, McGuinn's Thunderbyrd is a bit of a letdown. While most of the tracks are covers ranging from Dylan to Peter Frampton to George Jones to Tom Petty's "American Girl," the songs all have a sort of weariness to them which detracts from what should have been a great effort. His last solo disc for a long, long time.
On the surface, Roger McGuinn, the former leader and 12-string jangle-meister of the Byrds, and Mick Ronson, who contributed the wicked guitar crunch to David Bowie's Spiders from Mars period, might seem like a wildly unlikely musical combination, but the two became friendly when they both toured as part of Bob Dylan's Rolling Thunder Revue, and after that road trip came to a close, Ronson went into the studio with McGuinn to produce his next solo album.
In the liner notes to Sundazed's reissue of Roger McGuinn & Band, the former Byrds leader says, "A band should be a benevolent dictatorship," adding, "Democracy is a great form of government, but it doesn't work in rock & roll." Whether you agree with that statement or not, Roger McGuinn & Band is one album that supports McGuinn's argument pretty well; in 1975, after his first two solo albums were greeted with lackluster commercial and critical response, Columbia Records assigned producer John Boylan to McGuinn's next project, and Boylan brought along a band.
The solo career of this great rock artist took awhile to gather some steam; his 1976 album, Cardiff Rose, showed that with at least some consistent production and a tight backing ensemble, he could put across a powerful musical vision without having to rely totally on re-creating the sound of the Byrds. For this 1974 album his focus is as wandering as a glaucoma patient who has just gone through a two-hour field test. Many different influences come into his musical world, like strange cooks passing through a kitchen and dropping odd things into the stew.