Recordings of Beethoven's Triple Concerto, Op. 56, by a piano trio rather than by a group of virtuosi (a configuration that almost always misunderstands the work) are not abundant. Still rarer are those like the present release by the Storioni Trio, a Dutch group that takes its name from the maker of the 1790s instrument played by the violinist (and strung, like the viola, with gut strings). Pianist Bart van de Roer plays an 1815 Lagasse fortepiano. This recording is part of a series devoted to Beethoven's piano trios, but the Triple Concerto actually is more comfortable in those surroundings than when forced to keep company with the likes of the Violin Concerto in D major, Op. 61.
At the heart of Beethoven’s life’s statement as a composer lies the cycle of sixteen string quartets, which, to this day, has retained a special status and reverence. Since 2012, the Elias String Quartet has been immersed in its Beethoven Project, performing all Beethoven’s string quartets at venues throughout the UK. In this live recording, the ensemble captures both the intimacy and grandeur of the works. With an ever-expanding recording catalogue that has been met with widespread critical acclaim, the quartet is delighted to release this disc, the first volume of its complete Beethoven cycle to be recorded live at Wigmore Hall over the coming Seasons.
Sir John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique perform the world's most iconic piece of classical music, Beethoven's Fifth Symphony. Bringing out all the revolutionary fervour that Gardiner believes underpins the work and performing on period instruments of Beethoven's day, this performance brings us an authentic re-imagination of the sounds Beethoven's original audiences would have heard. Shot on location in St John's Smith Square, the performance looks and sounds stunning. Ahead of the performance, Gardiner and the principals of the orchestra discuss the issues in trying to breathe new life into such a famous piece and how their period instruments transform the symphony's sound.
Ian Hislop and John Eliot Gardiner reveal the story behind Beethoven's Fifth Symphony. Described as the 'greatest 'great' piece ever written,' its opening notes are among the most recognisable in history. But no one really knows what Beethoven was trying to express with this piece. The traditional wisdom is that he is railing against fate and his deafness. But John Eliot believes the music expresses Beethoven's belief in the French Revolution. This is turbulent music from a turbulent man living in a turbulent age. John Eliot and Ian Hislop bring to life the exciting and dangerous times that shaped Beethoven personally and creatively.
Documentary following concert pianist Leif Ove Andsnes as he attempts, in a series of worldwide performances, to interpret one of the greatest sets of works for piano ever written - Beethoven's five piano concertos. However, the film is more than a portrait of a famous musician on tour - it is an exploration into Ludwig van Beethoven's life as revealed by these five masterworks. The relationship between the composer and his world is mirrored by the relationship between the pianist and orchestra in these concertos. Andsnes offers rare insights into the mind of a world-class pianist and access to his personal and professional life. Against the background of Leif Ove playing these pieces, we also peel back the myths of Beethoven's life - from prodigious talent in Vienna to greatest composer alive by the time he wrote the fifth concerto.