Lang Lang revisits giants of Russia's Romantic musical soul, Tchaikovsky and Rachmaninov, to reveal another side of his prodigious talent–his finesse as a collegial interpreter of chamber music. This release, Lang Lang`s first ever chamber music recording, also features two giants of their instruments: Vadim Repin on violin and Mischa Maisky on cello. Lang Lang could not be in better company to reveal the inexhaustible inventiveness of Tchaikovsky's Piano Trio in A minor, op. 50 or the tender consolations of Rachmaninov's Trio élégiaque no. 1 in G-minor, a short early masterpiece composed before Rachmaninov was twenty.
For this all-Mozart twofer from Sony, piano virtuoso Lang Lang, conductor Nikolaus Harnoncourt, and the Vienna Philharmonic present a program of piano concertos, piano sonatas, and several short solo pieces that give a good sampling of the composer's keyboard output. The roster may provoke some cognitive dissonance, though, because Harnoncourt is best known for historically informed period interpretations of Mozart, while Lang Lang and the Vienna Philharmonic are more associated with a conventional, mainstream performance style. One might expect some compromise between the two camps, yet while the orchestra incorporates some aspects of Classical sound into its playing, it remains a modern orchestra of full size, and Harnoncourt doesn't ask for the tone colors and techniques he would demand of his own Concentus Musicus Wien. For the soloist's part, Lang Lang is rather restrained and sensitive to the character of the music, and apart from some showiness in his cadenzas, he shows less of the ebullience and bravura playing he otherwise shows in Liszt or Rachmaninov.