Gold is a 2005 greatest hits collection from hard rock band KISS. This two-disc set covers the band's recordings from 1974 to 1982. KISS Gold (2008 Japanese exclusive limited edition 40-track digitally remastered 2-disc SHM-CD album set.
This album has everything a KISS album should have:hard rock anthems, fast-fingured guitar solos, explosive lyrics, heart-felt power balads and the fun spirit of KISS. If I were to recommend a KISS album to anyone it would be this one simply because its just a really fun album that has something for metal fans as well as ballad loving folks…
Of the four Kiss solo albums released in 1978, Paul Stanley's was the most Kiss-like. While Gene Simmons and Peter Criss decided to use the opportunity to explore other musical styles, Stanley–like guitarist Ace Frehley–chose to stick to what he did best. A few tracks are of a more epic nature, such as "Tonight You Belong to Me" and "Take Me Away (Together as One)," but for the most part, PAUL STANLEY is just good old straightforward rock & roll. "Move On," "Wouldn't You Like to Know Me," "It's Alright," "Love in Chains," and "Goodbye" are all hard rockers, while the more serene numbers, "Ain't Quite Right" and "Hold Me, Touch Me," fit in with the rest quite well.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. A surprisingly wonderful album from Artie Shaw – one that takes his older groove and nicely strips it down for the 50s, and which features some especially great guitar work from Tal Farlow! Other players in the group include Hank Jones on piano, Joe Roland on vibes, Tommy Potter on bass, and Irv Kluger on drums – coming together in a loosely swinging mode that has lots of interplay on the longer-than-usual tracks on the set. Titles include the originals "When The Quail Come Back To Town", "Lugubrious", "The Grabtown Grapple", and "Lyric".
Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).
TRACKS OF MY YEARS is the twelfth studio album by Canadian singer-songwriter Bryan Adams. The Covers album was released on September 30, 2014 by Polydor Records. It is an eclectic mix of songs reflective of the time when rock was played alongside pop, country and R&B, and follows Adams’ acoustic album, 2010's Bare Bones, a release that resulted in sold out shows across Europe, North America, Australia and South Africa.
40/40: The Best Selection is a comprehensive double-disc career overview of Olivia Newton-John designed to celebrate her four decades in show business. Yes, the compilation runs 40 tracks, but this is not designed to showcase each era of Olivia's career in equal measure. Perhaps there are a few more latter-day cuts than most audiences would know, and maybe there are a few more early tracks than needed, but all the big hits are here, from the early mellow country-rock to the slick soft rock and melodic disco of the turn of the '80s. Compared to the U.S. compilation Gold, this isn't quite as good - there's too much of the two bookends of a long career - but it does have what most casual audiences require: all the hits, all sounding as good as they ever have.